Eq high

Mesa de Mistura Magnífica em segunda mão, estado impecável, todos os canais e botões a funcionar em perfeitas condições. Estamos a vender apenas porque necessitamos de mais canais. Descrição: Na sua terceira encarnação, a Série MG é o reflexo perfeito desta busca de excelência da Yamaha - incorporando algumas das tecnologias originalmente desenvolvidas para utilização em mesas profissionais de topo de gama (pré-amplificadores de microfone de qualidade de estúdio, efeitos digitais integrados) e uma construção sólida e fiável. Com um painel intuitivo e fácil de usar, a Série MG da Yamaha oferece uma vasta escolha de mesas de mistura compactas, variando de 6 até 20 canais, que permite adequarem-se a uma enorme variedade de utilizadores e aplicações. Tal e visite egitana.pt qual como os modelos XU, os modelos X incluem efeitos SPX. Além disso podem ter uma vasta gama de utilizações como conferências, casamentos, música ao vivo, etc. As novas cores, mais discretas em cinzentos cheios de estilo, melhoram também o aspeto visual. A Yamaha MG-12XU é mesa de mistura de 12 canais de faders, com efeitos, compressor, ligação USB. - 1 Processadores incorporados: Algoritmo SPX: 24 programas, controlo de PARAMETER 1; FOOT SW 1 (on/off de FX RTN CH) - 2 Phantom power: + 48 V - 3 Inputs digitais: entrada compatível USB Audio Class 2.0; Frequência de amostragem Máx 192kHz, Bit Depth 24-bit - 4 Input: Mono [Mic/Line] 4; Mono/Stereo [Mic/Line] 2; Stereo [Line] 2 - 5 Output: Stereo Out 2; Monitor Out 1; Phones 1; Aux Send 2; Group Out 2 - PAD: 26 dB (Mono); - HPF: 80 Hz, 12 dB/oitava (Mono/Stereo, só no mic); - COMP: Compressor de 1 Knob, Threshold - compre na egitana.pt +22dBu a -8dBu, Ratio 1:1 a 4:1, Nível de saída o dB a 7 dB, Tempo de ataque ~25ms, Tempo de release ~300ms; - EQ HIGH: Ganho - 15 dB, Frequência 10kHz (shelving) - EQ MID: Ganho - 15 dB, Frequência 2.5kHz (pico de Fc) - EQ LOW: Ganho - 15 dB, Frequência: 100Hz (shelving) - PEAK LED: LED liga-se quando, no POS-EQ, o sinal atinge os 3 dB antes visite egitana.pt de saturar - Medidor de nível: 2 x 12 segmentos de LED [PEAK, +10, +6, +3, 0, -3, -10, -15, -20, -25, -30 dB] - Dimensões (L x A x P): 308 x 118 x 422 mm - Peso: 4.2 kg

Vendo este amplificador como novo, sem algum risco ou qualquer problema ou desgaste. Tenho as caixas para transporte de origem, posso entregar em mão na zona de Lisboa ou Castelo Branco. Preço fixo.. O amplificador: 100 + 100 Wrms into 8+8 Ohm, 120 + 120 Wrms into 4 + 4 Ohm 1/4" High Input Jack Overdrive Channel with Gain 1 + 2 with Contour, Gain Mode Switch, 3-Band EQ and Level Controls Clean Channel with Level & 3-Band EQ Controls Stereo Chorus with Rate & Depth controlled by Push & Foot Switch Master Reverb & Volume Controls Footswitches for Channel Select, Reverb On/Off, Gain Mode Select, Stereo Chorus On/Off Headphone Jack Line Out Jack Effects Send/Return with Level Controls External Speaker Jacks Ground-Lift Switch Dimension: 688W x 255H x 278D mm Weight: 17.5 Kgs A caixa é uma FAME GN-412A 4x12" Stereo-Cabinet - Angled Front 4x12" High Performance Guitar Speaker 600 Wrms Power Handling 4 & 16 Ohm Mono Input 8+8 Ohm Stero Input Dimension: 776W x 786H x 350D mm Weight: 43,2 kg

Mesa de mistura Alesis Multimix 8 FW. Em perfeito estado, sem qualquer marca de uso. Raramente saiu de casa. Sem qualquer tipo de ruído. Permite a gravação para computador via Firewire de cada canal independente e/ou da mistura final. Cabo Firewire e transformador de alimentação incluído. Qualquer questão, disponha. Negócio em mãos na zona de Sintra, Mafra ou Lisboa. Envio por CTT após Transferência Bancária. Portes a cargo do comprador. - 8–channel mixer featuring next–generation DICE II FireWire technology, low–noise analog electronics, 100 studio–grade 28–bit digital effects, and rock–solid construction - Compact, affordable 8–channel analog mixer and multi–channel FireWire audio computer interface - 10 direct outputs for recording and 2 return inputs for monitoring - 4 high–gain mic/line (XLR and 1/4” balanced) inputs with phantom power, 2 stereo balanced 1/4” line inputs, aux send (can send to onboard or external effects), stereo aux return - Switchable 75Hz high pass filters 100 28–bit onboard preset effects including reverbs, delays, chorus, flanging, pitch and multi–effects - 3–band EQ per channel with high/low shelving and mid band pass/reject - Separate 1/4” balanced main and monitor outs, headphone out - 24–bit, 44.1/48 kHz operation with high–end A/D and D/A conversion through integrated FireWire audio interface using next–generation Dice II FireWire chip - Mac OS X, Windows XP or Vista compatible

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

*Levantamento na Av. Duque de Loulé 45A, em Lisboa *Envio a todo o país via CTT por 5EUR. Tenho mais artigos à venda, veja mais no link "Anúncios publicados" A DOD introduziu o FX86B Death Metal Distortion em 1998, como atualização do FX86 de 1994. Embora o seu circuito tenha sido atualizado, houve pouca diferença entre as duas versões manteve-se o mesmo conceito inicial Death Metal. Projetado para uso com guitarra ou baixo, o FX86 possui um acabamento em preto sólido com Blood red splatter, digno de seu nome. A idéia central do pedal DOD FX86 foi única entre os pedais de distorção, pois apresentava três bandas de equalização, mas sem controle de distorção, resultando em uma paleta de sons sempre distorcidos (mas perfeita para o metal extremo). Equipado com dois IC Chips JRC 4560D op-amps. ESPECIFICAÇÕES: *R.I.P. (Level) *Guts (Low eq) *Pain (Mid eq) *Scream (High eq) *Fonte alimentação AC 9V (não incluído) ou simples bateria 9V Com o DOD FX86B Death Metal é possível criar uma parede de distorção, perfeita para a destruição total. O FX86 emula os sons death metal e grindcore de bandas como Napalm Death, Carcaça, Brutal Truth, Pungent Stench entre outros. O controle RIP (LEVEL) permite a destruição em qualquer volume de amplificador, porque não há controle de distorção, tudo está sempre no máximo!

Vendo esta mesa sem uso ainda dentro dos plásticos. Tenho-a há algum tempo porque seria para um projecto mas que não foi precisa na altura e daí estar a vender. Entrego em mãos no porto ou gaia Desc.  Multipurpose 3-channel mixer with USB audio interface.  Flexible LOOPBACK feature - perfect for live recording or webcasting.  High resolution (24-bit192kHz) 2-track audio recording and playback.  "D-PRE" studio quality mic preamps with high gain and low noise.  Easy control and pro sound with 1-TOUCH COMP/EQ, EFFECT processing.  +48V phantom power on CH1 input for condenser mics and Dl boxes.  Hi-Z input for guitars on CH2.  iPad (2 or later) connectivity via Apple iPad Camera Connection Kit (requires external USB power supply).  USB buspowered for Mac & PC.  Rugged metal chassis.  Includes Cubase Al downloadable version

Boa tarde. Estou a vender o meu amplificador Randall KH-120 de guitarra com apenas uma saída para palco e de resto sempre usado em estúdio. Mais informações a baixo. Qualquer coisa contacte, disponível para fazer alterações ao preço ou troca.CumprimentosKH120RHSPreamp Channels:2 Channels w/3 ModesMode 1: Hammett Clean toneMode 2: Vintage Hammett high gainMode 3: Modern Hammett high gain.EQ controls: Bass, Middle, Treble, ContourMaster Controls: Volume, Spring ReverbPower Amp: 120 Watts RMSFeatures: Spring Reverb, Series EFX loopTape/CD Inputs 2-button footswitchKH4124 x 12" Celestion Rocket 5's200W RMS handling

Vendo amplificador de guitarra Randall KH-120, usado apenas uma vez fora do estúdio, em excelente condição. Ficam em baixo as specs mas a fundo. Cumprimentos KH120RHS Preamp Channels: 2 Channels w/3 Modes Mode 1: Hammett Clean tone Mode 2: Vintage Hammett high gain Mode 3: Modern Hammett high gain. EQ controls: Bass, Middle, Treble, Contour Master Controls: Volume, Spring Reverb Power Amp: 120 Watts RMS Features: Spring Reverb, Series EFX loop Tape/CD Inputs 2-button footswitch KH412 4 x 12" Celestion Rocket 5's 200W RMS handling

Amplificador de Baixo Hartke A100 Bass Combo The A100 is a powerful combo amplifier that includes a matched 8 ohm aluminum bass speaker in a specially designed cabinet, which can be used in a typical flat floor position or in its special "kickback" position for increased high end clarity and sound dispersion. A-Series Combo Amp! Great for practice, rehearsals, or performances in small venues, the Hartke A100 features a 100-watt amp and a 15" aluminum driver. The A100 features low, mid, high, and bright tone controls, a CD input, XLR balanced ouputs, an effects loop, a headphone jack, and chrome hardware. The A100 also delivers a 7-band graphic EQ for finer tone control.

Para venda mesa de mistura usada em pleno funcionamento. Sem caixa original Especificações: The Alesis MultiMix 8 FireWire mixer features the best of both the analog and digital worlds. Delivering multichannel audio recording to your Mac or PC through the integrated FireWire audio interface, the MultiMix 8 FireWire mixer represents the cutting edge of recording technology. Intuitive analog mixing capability and ultimate computer connectivity highlight that this mixer is an essential part of any studio or mobile recording project. FEATURES 8channel mixer featuring nextgeneration DICE II FireWire technology, lownoise analog electronics, 100 studiograde 28bit digital effects, and rocksolid construction Compact, affordable 8channel analog mixer and multichannel FireWire audio computer interface 10 direct outputs for recording and 2 return inputs for monitoring 4 highgain mic/line (XLR and 1/4 balanced) inputs with phantom power, 2 stereo balanced 1/4 line inputs, aux send (can send to onboard or external effects), stereo aux return Switchable 75Hz high pass filters 100 28bit onboard preset effects including reverbs, delays, chorus, flanging, pitch and multieffects 3band EQ per channel with high/low shelving and mid band pass/reject Separate 1/4 balanced main and monitor outs, headphone out 24bit, 44.1/48 kHz operation with highend A/D and D/A conversion through integrated FireWire audio interface using nextgeneration Dice II FireWire chip Mac OS X, Windows XP or Vista compatible

Pedal de distorção para guitarra, ideal para sons de Metal. Tem um som brutal. Está como novo, apenas usado em casa. Inclui caixa original e todos os manuais. Funciona com pilha ou transformador de 9V - ambos não incluídos. The Boss MT-2 Metal Zone Effects Pedal offers precision control over tone. Dual-gain circuits scream with super-long sustain and seething distortion. A 3-band EQ includes High/Low shelving knobs plus a midband parametric EQ. The Boss MT-2 Metal Zone Effects Pedal has separate Level and Distortion knobs to put just the right amount of edge on your signal.

O Pedal encontra-se como novo ainda com caixa original e respectivos manuais e tudo o lá vem dentro... Descrição do Pedal: Based on the classic Wampler Pedal “Plexi-Drive”, the Plexi-Drive Deluxe builds on the foundation of the original and gives you considerably more control to shape your tone. With a 3 band active EQ and additional brightness control, the Plexi-Drive Deluxe takes a huge step forward into the modern era of pedals. Complete with the perfectly voiced pregain booster, you can achieve almost any Plexi tone from virtually any amp. Since the early 60’s, Marshall Amplifiers® have lead the way in rock tones with its legendary tight overdrive and coveted bass response. Early rock legends such as: Jimi Hendrix, Led Zeppelin, Cream, and AC/DC helped lead the way in creating some of the most iconic rock tones ever produced and catapulted Marshall® into rock legendary status. The Plexi-Drive Deluxe is a direct descendent of the Plexi-Drive Standard but with a few upgraded features. Like the original, the Plexi-Drive Deluxe’s unique gain structure can cover everything from Vintage ’68 style Plexi tones to the all out massive rock tones of a JTM-45® cranked to ten, or even eleven. With the addition of an all-new active 3 band Bass/Mids/Treble EQ stack – you can now have even more tonal control. With the bass boost option, you can emulate the feeling of the low-end thump of a 4×12” cabinet (or two) at the flick of a switch and can allow you to dial in your low end at lower volume gigs or at bedroom volume levels. To compliment this, we also added a bright switch to add high end sparkle – which makes changing from bright to dark guitars (and amps) a breeze. The Plexi-Drive Deluxe also features a one knob, pre-gain boost soft click switch that is voiced like “that ‘valve’ screaming green overdrive with pronounced mids” – to help push your leads into thick creamy overdrive. The Plexi-Drive Deluxe will fill your Marshall® void and give you the crunch, response, boost and feeling that your rig begs for. Whether you are playing sold out shows or rocking out by yourself – the Plexi-Drive Deluxe will take your tone and allow you to create your own flavor of rock! Your search for the perfect versatile M.I.A.B. (Marshall® in a Box) can finally be over. - See more at: https://wamplerpedals.com/plexi-drive-deluxe#sthash.95MhEz4K.dpuf

Guitarra Electroacustica Ibanez AE 18 TDU ACEITO RETOMA Guitarra com setup feito. Braço totalmente macio. Cordas Martin 2 anos de Garantia. Segundo nossos especialistas e guitarristas de teste, melhor que a APX 500. Sou luthier com muitos anos de experiência. Product Description About the AE Series The AE18 continues to be one of the top-selling acoustic-electrics in the world. That's because the AE18's unbeatable combination of a slim neck, feedback resistant body, comfortable playability, and high-fidelity electronics make it one of the finest live performance guitars at any price. Ibanez is offering the AE advantages in the widest variety of AE guitars ever, including their first AE instrument designed for jazz, the arched top AEJ70VS. Features - AE Body - Spruce Top - Arched Mahogany Back - Mahogany Sides - Mahogany Neck - Rosewood Bridge and Fretboard - Fire Rosette - Chrome Hardware - Fishman Sonicore Pickup EQ 7545 ER - Ibanez AEQ-SS Shape Shifter EQ - Ivorex Saddle - Die-cast Tuning Machines - Natural High Gloss Finish Body Dimensions- 15 3/4 in. wide-lower bout 3 1/2 in. deep 20 in. long

Está em perfeito estado de funcionamento sem qualquer tipo de problema. Todos os botões funcionam sem maus contactos nem ruídos. 20 tipos de reverb 12 tipos de chorus 12 tipos de flanger Delay regulável 490 ms Delay time Delay regeneration Entrego em mão em lisboa ou envio mediante transferência bancária. Portes 10 euros. The Alesis MIDIVERB III is a high quality multi-effects unit which features up to 4 simultaneous effects (Delay, Reverb, Chorus, EQ) at a full 15KHz bandwidth and with 16 bit resolution. The MIDIVERB III features 200 on-board memory locations, Full 15KHz signal bandwidth for greater fidelity True 16 bit resolution for quieter performance 200 memory locations consisting of 100 factory and 100 user Up to 4 simultaneous effects - Delay, Reverb, Chorus, EQ Simplified user interface for faster set-up Clip and Signal Present LEDs Inputs and outputs via 1/4" phone jacks +4dBV capable for use in the studio or on stage MIDI program MAPPING for programmable program selection Programmable levels for Delay and Reverb

Pedal de distorção para guitarra eléctrica - Metal, Rock, Blues, overdrive, fuzz - Dunlop MXR DIME DD-11 Dimebag Darrel Signature pedal (Pantera) - oferta de adaptador 18V Dunlop (não funciona com adaptadores de 12v) comprado à parte. The DD11 Dime Distortion delivers a heavy, aggressive, razor-sharp tone that rages with distortion but remains tight and focused enough to keep up with lightning-fast rhythm lines and scorching solos. With its 3-band EQ, proprietary Scoop switch, and ungodly output, this stompbox from Hell has the guts and the muscle to stand up to your heaviest displays of power. This distortion pedal was designed according to the desires of Pantera's Dimebag Darrel Razor-sharp, aggressive distortion with high tone definition Foot switch for bypass with status LED Scoop switch (mid reduction) Controls for gain and output 3-Band EQ

Processador de efeitos Alesis Midiverb III em perfeito estado de funcionamento. Como novo, impecável a todos os niveis. Todos os efeitos de eco, reverb e ambiências para voz e instrumentos. 20 tipos de reverb 12 tipos de chorus 12 tipos de flanger Delay regulável 490 ms Delay time Delay regeneration Entrego em mão em lisboa ou envio mediante transferência bancária. Portes 10 euros. The Alesis MIDIVERB III is a high quality multi-effects unit which features up to 4 simultaneous effects (Delay, Reverb, Chorus, EQ) at a full 15KHz bandwidth and with 16 bit resolution. The MIDIVERB III features 200 on-board memory locations, Full 15KHz signal bandwidth for greater fidelity True 16 bit resolution for quieter performance 200 memory locations consisting of 100 factory and 100 user Up to 4 simultaneous effects - Delay, Reverb, Chorus, EQ Simplified user interface for faster set-up Clip and Signal Present LEDs Inputs and outputs via 1/4" phone jacks +4dBV capable for use in the studio or on stage MIDI program MAPPING for programmable program selection Programmable levels for Delay and Reverb

Pedal de distorção para guitarra eléctrica - Metal, Rock, Blues, overdrive, fuzz - Dunlop MXR DIME DD-11 Dimebag Darrel Signature pedal (Pantera) - oferta de adaptador 18V Dunlop (não funciona com adaptadores de 12v) comprado à parte. The DD11 Dime Distortion delivers a heavy, aggressive, razor-sharp tone that rages with distortion but remains tight and focused enough to keep up with lightning-fast rhythm lines and scorching solos. With its 3-band EQ, proprietary Scoop switch, and ungodly output, this stompbox from Hell has the guts and the muscle to stand up to your heaviest displays of power. This distortion pedal was designed according to the desires of Pantera's Dimebag Darrel Razor-sharp, aggressive distortion with high tone definition Foot switch for bypass with status LED Scoop switch (mid reduction) Controls for gain and output 3-Band EQ Entrega ao próprio. Não efectuo envios por correio.

Amplificador de baixo Peavey Microbass Bass enclosure providing 20 watts from a 8 inch "Blue Marvel" speaker. Peavey's DDT speaker protection. 3 band graphic EQ. Carrying handle. Ideal for use as a practice amp. Features - 20 Watts RMS - DDT compression - 8 inch speaker - Gain control - Low, mid, high EQ controls - Headphone jack

Material como novo nunca saiu de estúdio tem cerca de 3 anos e foi adquirido diretamente na Symetrics USA por 980 dollars, foi muito pouco usado pois esta como novo só visto. Não baixo mais o valor pois ja estou a pedir uma pechincha por este equipamento. por favor não mandem mensagens a perguntar se baixo o Valor pois não o farei. Especs: This complete analog channel strip performs six separate functions: microphone preamplification, de-essing (sibilance removal), compression/ limiting, downward expansion, parametric EQ, and voice symmetry alignment. All six processes may be used simultaneously. Although we call the 528E a Voice Processor, it is perfectly suitable for any mic- or line-level source. Revered as the choice for broadcast voices and known as the classic one channel console by recording studios, the 528E delivers all the control you need, without the cost or complication of separate units. Each function has a full complement of controls in an easy-touse layout. The 528E works with any professional microphone. Mic preamp gain is variable up to 60 dB, and 48 volt phantom power is provided for condenser mics. A switchable 15 dB pad reduces gain in front of the mic preamp to prevent distortion in super-close micing situations. A front panel switch selects between microphone or line input. Both inputs are transformerless and are equipped with filters to prevent radio frequency interference (RFI). The de-esser senses and regulates selectable high frequencies to reduce or eliminate annoying sibilance and lip smacking. Symetrix program-controlled Integrated Dynamics Processing (IDP) techniques combine the best attributes of compressor/limiters and downward expanders. The compressor/ limiter maintains uniform levels while the downward expander eliminates pumping, breathing, and noise build up. Because its program controlled, the 528Es dynamic range processor responds quickly to transients, and gently to smaller level changes. Separate LED meters display mic/input gain and gain reduction, for quick and accurate adjustment of dynamics functions. The three band parametric EQ performs both creative enhancement and corrective (eliminating resonances and interference) operations, with bandwidth variable from 0.3 octave to 4 octaves, 15 dB boost/cut, and overlapping frequency ranges. A unique leap frog topology minimizes the number of amplifiers in the signal path while ensuring that each frequency band interacts with its neighbor in a desirable and musical fashion. The Voice Symmetry switch corrects for excessive positive or negative signal peaks of the human voice. Get the same processing power found in an entire recording studio signal chain with the 528E Voice Processor from Symetrix, the engineering-driven company of signal processing specialists

Ashton CG44CEQ guitarra em tamanho real com cutaway em muito bom estado Basswood soundboard, costas e laterais e belo acabamento de alto brilho pickup com EQ de 3 vias e afinador Porca e sela Graphtec TUSQ verifique-o e pegue-o perto de Realiquias --- Ashton CG44CEQ full size guitar with cutaway in very good condition Basswood soundboard, back and sides and beautiful high gloss finish Pickup with 3-way EQ and tuner Graphtec TUSQ nut and saddle check it out and pick it up near realisations

Revisão feita recentemente, a funcionar a 100%, com algumas marcas de uso. Características: Power: 120W (tube) Válvulas: Cinco 12AX7 (preamp); quatro 6L6, com possibilidade de alterar para EL34 (power amp) Dois canais Dois inputs: high gain; low gain Controlos: 3-band EQ, presence, crunch, gain, volume, reverb FX loop Impedance: 4, 8, 16 ohm Footswitch incluído

Impecável, uso apenas em estúdio. Com caixa. 40 horas de uso no máximo. Solid-State Channel Strip, Class-A hybrid input stage with discrete transistors, 48V Phantom Power switchable, 80 Hz High Pass Filter, 20 dB pad and Phase switchable, FET based compressor, -band semi-parametric equalizer with Shelf/Peak-Switch, Hard-Bypass Switch for Compressor and EQ, VU-Meter, balanced Insert Send/Return (TRS), balanced Output XLR- and TRS https://www.presonus.com/products/rc-500

Amplificador de Guitarra Kustom Quad 65 DFX, como novo, só usado em casa, excelente som, com efeitos, com pedal, impecavel. 65W RMS 12" Celestion speaker Channels: lead and rhythm Preamp modes: 2 high gain, 2 clean Digital effects section Dual 3-band EQ Boost switch on lead channel CD/tape input

*Levantamento na Av. Duque de Loulé 45A, em Lisboa Tenho mais artigos à venda, veja mais no link "Anúncios publicados" Marshall JCM900 Combo Model 4502 Conhecida por seu tom potente e confiabilidade, a linha JCM900 reuniu uma legião de fãs em todo o mundo. O JCM900 Combo model 4502 é um amplificador totalmente à válvulas com 50 watts de potência e grande fidelidade na resposta das frequências. Consegue ser bastante limpo em níveis mais baixos de volume e quando o volume é aumentado, ele ganha grande potência com timbre quente e rasgado. Seu canal "A" foi projectado para fornecer um som extremamente limpo quando o controle de ganho é ajustado em níveis baixos, e que vai se tornando progressivamente mais saturado quando o ganho é ajustado em níveis mais altos. O canal "B" segue além, graças ao uso correto dos controles Gain e EQ que permitem obter o tom perfeito para qualquer linha de solo, da suavidade à saturação mais pesada. Um loop de efeitos em série com controles de nível permite conectar tanto pedais de efeitos de chão quanto de rack. Qualquer que seja o seu estilo, o Model 4502 lhe dará flexibilidade tonal sem fazer concessões. ESPECIFICAÇÕES: *Potência (RMS): 50 watts *Canais: 2 *Impedância: 8, 4 e 16 Ohms *Speakers: 2 Celestion GT12 -75 *Controles: Presence, bass, middle, treble, 2 gain preamp, 2 masters e 2 de reverb *Válvulas de preamp: 2 x ECC83/ 12AX7 *Válvulas de potência: 1 x ECC83/ 12AX7, 2 x 5881 *Loop de efeitos: 1 *Power output switch: High / Low Gain *Entrada para footswitch opcional

Vendo Kawai Stage Piano MP4, sempre utilizado em casa. O Kawai mp4 tem um sampler de piano de cauda único,bem como samplers de dezenas de outros instrumentos. Caso esteja interessado neste fantástico Piano, não hesite, tentaremos chegar a um compromisso. Especificações: 88 keys with Advanced Hammer Action IV action; 4 MIDI zones; 16 MIDI channels; 96 voice polyphony; 64 sounds; 64 user programmable setups; 20 effects and 7 reverbs; 4-band digital EQ; Metronome; Stereo and dual mono outputs; High and low LED brightness levels; Piano-only button; Individual sliders for zone level; 4 assignable knobs; Pitch bend/modulation wheel; 16-character x 2-line backlit LCD; Headphone jack; 1/4" L/MONO,R output jacks; Damper and soft pedal jacks; Assignable FSW jack; Assignable EXP jack; MIDI I/O/Thru; USB port; Comes with music rack and damper pedal; 53-3/8"W x 6-3/4"H x 13-1/3"D

FEATURES: -40W RMS into 4 ohms -12" speaker -DDT speaker protection -Gain control -Modern/Vintage voicing switch with patented TransTube tube emulation circuitry -Low, Mid, Mid Shift and High semi-parametric EQ -Post-EQ effects loop -CD input -Master volume control -Tuned, ported enclosure with exclusive dual HyperVent technology "The MAX 112 is a great sounding, powerful little bass amp that doesn't cost a lot" Grande som, muito semelhante a som a válvulas ampeg com o transtube. Som cheio e com muito ganho. Excelente para tocar em casa ou numa garagem pequena com a banda. Motivo: não preciso do amplificador. Está parado em casa.

Mesa de Mistura topo de gama para estúdio ou para estrada Studio MASTER " Melhorar a nossa gama de mesas de mixagem analógicas, nós introduzimos o recurso carregado e preço séries MBXS amigável. Composta por dois modelos, ou 24 ou 32 versões de canal. As características incluem: alta qualidade baixo ruído de microfone pré-amplificador, com compressão ajustável em cada canal de microfone, comutável +48 V e High Pass Filter, útil de 4 bandas EQ com controle de varredura de médios nos canais de microfone e 4 bandas de equalização fixa nos canais estéreo. Seis auxiliares, com aux 1-4 ​​selecionável em pares desaparecer pré ou pós. Aux 5 e 6 para as unidades de alta qualidade GÊMEAS efeitos DSP. Todos os canais também característica, o canal on / off, PFL ouvir instalação e roteamento abrangente para o mix principal e sub-grupos. A seção dos MBXS saída é igualmente inteiramente caracterizado, com a inclusão de gravação / reprodução de instalação USB, 4 subgrupos estéreo, dois retornos estéreo inteiramente caracterizado, abrangente medição gráfico de barras, de respostas e meios de vigilância e os efeitos DSP gêmeos oferecendo 16 programas de alta qualidade cada. Fontes de alimentação tranquilos e robusto internos e estilo moderno completar a nova gama MBXS de formato mixers médios. " Preço Original - 1.600 € COMO NOVA / POUCO USO

Great sounding amp, everything works perfectly. This is a very rare amplifier that was only made for 1-2 years in the late 70's jmp era and was also know as the rock 'n' roll baby. This 2150 combo is the same circuit as the holly grail of marshalls the 4 hole 1959 slp super lead head in combo form. The only differences being a few differences in cap/resistor values and the very useful master volume (so you don't need and attenuator to get some gain). The stock speaker was replaces as it was crap, it now has a well broken in Celestion G12b-150 which is a good match as it has lots of bass and tames the trebles nicely. Cosmetically there is a tear on the cloth, a few scuffs on the tolex and some of the text has wore off the control panel but for its age its in great condition (no rust like a lot of these amps seem to have). It has been used lots and toured with, has always been reliable. Has just been serviced and had new matched set of JJ EL34 output valves, all new electrolytic capacitors, two new input jacks as the others were kaput. Very clean inside with all original transformers, resisters etc, no hum and working very well. It has the 70's standard 4 inputs, 2 dark sounding, 2 bright and a high and a low for each. The channels can be jumpered of course. Each Channel has its own gain dial, there is a full eq section of treble, middle, bass, presence and a master volume. On the back there is a speaker output ohm selector, a voltage selector and 2 speaker jacks which can be connected to a 4x12 which sounds great

Vendo Amplificador Laney IRT-Studio. Serve como Rack Mount ou como Cabeça de amplificação. Tem 6 meses de uso e vem com factura da lismusica. Quando o comprei levou valvulas novas por isso está como novo e a funcionar a 100%. Amplificador perfeito para homestudio e permite diversas formas de gravação directa. Permite reamping para modar o som na equalização sem ter de tocar guitarra ao mesmo tempo. Tem 2 inputs um de 15 wats para usar em gigs e outro de 1 watt perfeito para distorções elevadas a sons baixos para poder tocar no quarto. Nobs push pull na equalização para poder moldar ainda mais o som. Vem com pre boost dentro do sistema para poder dar um boost de sinal e conseguir elevadas distorções, porem o amp permite tocar tudo desde sons clean a modern high gain. Vendo com footswitch, cabo usb para recording, mochila de transporte para poder levar para qualquer lado e cabo speaker para ligar a colunas. Não pretendo trocas. Specs: Power: 15 W Complete Ironheart preamp: 3 channels, pre-boost, pull boost EQ controls, reverb 2 Power amp tubes: EL84 3 Preamp tubes: ECC83 Speaker-emulated record output directly from the power amp, for an all-tube sound when recording and playing live Built-in dummy load: No speaker connection necessary USB audio port and re-amp jack output MP3 input: Mini jack Design: 19" / 2 U Dimensions (H x W thomann x D): 88 x 428 x 285 mm

Model: Performer 650 Manufacturer: Fender Musical Instruments Type: Guitar Amplifier Year: 1993-1995 Made USA Specs/Especificações: Power (Watts/Ohms) 70 Preamp Type - Solid State Speaker Configuration: 1 x 12" Effects: reverb Cabinet Covering Black Tolex Grille Color Silver Control Panel Face Color Black Knob Color Black Tube/solid state hybrid 2 channels (1 clean / 1 drive) 65 watts Reverb 12" speaker Footswitch to toggle channels and for the reverb UTILIZATION Easy setup Clean channel: 1 volume bass treble Drive channel: 1 gain, 1 volume, bass mid treble SOUNDS Clean channel is classic Fender: Very good clean sound, which doesn't crunch even at high volumes Drive channel: It distorts quite a bit right away, so you can't get a nice crunch The EQ has a big effect on the sound. OVERALL OPINION The sound level increases very fast, as is usually the case with Fender. So, you have either a VERY CLEAN or a very distorted sound... so the sound palette is "quite limited". This is not a defect... is a strong personality! Some advantages: The CLEAN sound, the reasonable weight, the apparent sturdiness. It is a VERY GOOD coupled with a pedalboard... Fender performer 650 amplificador guitarra híbrido Canal limpo transistorizado Canal de distorção valvulado