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Controladora VMS4.1 da American audio, em excelente!! com muito pouco uso! Foi usada apenas em casa, para gravações, saiu apenas para dois eventos apresenta apenas sinais de uso no desgaste da impressão no botão de play Com mala da GATOR Preço sem mala----- 250.00 EURuros Specs: Midi Controller with 4 USB / Analog selectable MIDILOG (Midi & Analog) channels All audio control faders, knobs, switches, and buttons smoothed - eliminates popping, wiper noise, and zipper noise On/Off soft startup and turnoff Gain/treble/mid/bass EQ on all MIDILOGTM channels 2 phono/line selectable analog channels Two microphone channels with illuminated on/off switches and gain/treble/mid/bass EQs On/off cueing on each MIDILOGTM channel Split cueing headphones with rotary mix control Illuminated rubber knobs for ease of use in dark environments Solid 1.6mm thick faceplate for extra durability Panel mounted rotary knobs Full analog mixer operation if the computer crashes or with external power supply Dimensions (LxWxH): 19x12.75x1.5 / 482x325x40mm Weight: 13 lbs. / 6 kg. AUDIO FEATURES: 24-bit 48 kHz analog audio 16-bit 44.1kHz USB audio Selectable USB modes: 4 in 4 out mode for running software effects on phono/line analog channels or 2 in 8 out mode for running 4 software channels and master recording Pode ser vendido em separado Posso mostrar aos interessados Portes por conta dos interessados Não respondo a propostas sem nexo!!!

Mixer dj Ibiza Sound DJM95USB-REC + case 6u MF-Cases MFC12004  Características técnicas:    - 1 USB Reader / MP3-recorder  - 6 entries of 4 chacuns channels with gain and 3 band EQ  - two microphone inputs with talkover  - master outputs and RCA recording  - preview function  - assignable crossfader  - Choose the compression format for recording  - gloss black finish with aluminum style buttons  - Acts in: 230Vac 50 / 60HZ  - Fuse: F1A  - Power consumption: 10W  - Dimensions: 482/175 / 80mm A mala tem o forro um pouco descolado.

Mesa de misura Yamaha MG 10/2 10 Input Channels The MG10/2 features a total of 10 input channels: four mono microphone/line inputs and two stereo line inputs, which offer mono microphone input capability. Four Low-noise, High-precision Mic Preamps The microphone preamps provided on the mono channels and the two stereo channels would be worth the price of the entire mixer if packaged separately. These are high-performance head amplifiers that will bring out the best in any dynamic or condenser microphone. Phantom Power So you can take advantage of the superior sonic quality of professional-class studio condenser microphones, all four of the MG10/2s high-performance mic preamps feature switchable phantom power. A single switch turns phantom power on or off for all four channels. Insert I/O Mono input channels feature insert I/O patch points so you can add compressors, EQ, or other extra signal-processing to the channels as required. 3-band Channel EQ & HPF Designed for smooth, "musical" response, the 3-band equalizers provided on all input channels are one more sonic tool you can use to create clean, professional mixes. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise. Two Aux Sends & Stereo Aux Return The MG10/2 is also full equipped to handle external effects and monitor systems. Use the post-fader auxiliary sends in conjunction with the stereo auxiliary returns to add reverb, delay, or other external effects to the mix, and the pre-fader sends to feed a separate mix to your monitor system. Optional Mic Stand Mount What could be more convenient than having your mixer mounted on a microphone stand for freedom of placement and easy access? With the optional BMS-10A Mic Stand Adaptor you can do just that, and have your sonic control center within easy reach all the time.

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

Material como novo nunca saiu de estúdio tem cerca de 3 anos e foi adquirido diretamente na Symetrics USA por 980 dollars, foi muito pouco usado pois esta como novo só visto. Não baixo mais o valor pois ja estou a pedir uma pechincha por este equipamento. por favor não mandem mensagens a perguntar se baixo o Valor pois não o farei. Especs: This complete analog channel strip performs six separate functions: microphone preamplification, de-essing (sibilance removal), compression/ limiting, downward expansion, parametric EQ, and voice symmetry alignment. All six processes may be used simultaneously. Although we call the 528E a Voice Processor, it is perfectly suitable for any mic- or line-level source. Revered as the choice for broadcast voices and known as the classic one channel console by recording studios, the 528E delivers all the control you need, without the cost or complication of separate units. Each function has a full complement of controls in an easy-touse layout. The 528E works with any professional microphone. Mic preamp gain is variable up to 60 dB, and 48 volt phantom power is provided for condenser mics. A switchable 15 dB pad reduces gain in front of the mic preamp to prevent distortion in super-close micing situations. A front panel switch selects between microphone or line input. Both inputs are transformerless and are equipped with filters to prevent radio frequency interference (RFI). The de-esser senses and regulates selectable high frequencies to reduce or eliminate annoying sibilance and lip smacking. Symetrix program-controlled Integrated Dynamics Processing (IDP) techniques combine the best attributes of compressor/limiters and downward expanders. The compressor/ limiter maintains uniform levels while the downward expander eliminates pumping, breathing, and noise build up. Because its program controlled, the 528Es dynamic range processor responds quickly to transients, and gently to smaller level changes. Separate LED meters display mic/input gain and gain reduction, for quick and accurate adjustment of dynamics functions. The three band parametric EQ performs both creative enhancement and corrective (eliminating resonances and interference) operations, with bandwidth variable from 0.3 octave to 4 octaves, 15 dB boost/cut, and overlapping frequency ranges. A unique leap frog topology minimizes the number of amplifiers in the signal path while ensuring that each frequency band interacts with its neighbor in a desirable and musical fashion. The Voice Symmetry switch corrects for excessive positive or negative signal peaks of the human voice. Get the same processing power found in an entire recording studio signal chain with the 528E Voice Processor from Symetrix, the engineering-driven company of signal processing specialists

Vendo mesa de mistura com 20 canais (16 canais mono e 2 stereo), processador de efeitos DSP, USB in/out e phantom power. A mesa está como nova sem qualquer dano/risco ou defeito! Poderei entregar em mão... Mais informações por mensagem privada ou email. Mais características: - 20 channel, 2-bus console - 16 XLR RQ (reference quality) low noise microphone inputs with insert points - Channels 17/18 and 19/20 with dual switchable stereo line inputs - 3-band EQ on all channels - LED clip, signal and mute indication - Two pre-fader monitor sends - One post-fader effects send - Precision 60 mm faders on input channels and stereo master out - Control room outputs - Global 48V phantom power - Tape to control room and tape to mix assignments - Stereo outputs with 1/4 unbalanced and XLR balanced connectors - Rugged console design - Built-in DSP effects processor - Universal switching power supply - USB port to connect to a computer for recording or playing back digital audio to/from computer

Amplificador de guitarra acustico FAME Master AC60R In the Fame Master Acoustic 60 is the hip retro look version of the mega seller Fame AC60R. The same amplifier chassis and identical speaker secure the usual good sound quality. And the price is also calculated yet again harder. This amp is designed not only for the acoustic guitar, but any acoustic instrument and vocals. With the Phase switch and Notch filter and the natural reproduction behavior without disturbing individual frequency ranges, the risk of feedback is minimized. The 2x8" Combo (with horn) is also equipped with chorus, parallel effects and reverb, which can be assigned to two input channels. The input section is intended for use with different pickups / microphone systems and their appropriate combination. The main features of the Fame Master Acoustic 60 include: Acoustic Guitar Combo with microphone input 2 channels - 1 x Guitar, 1 x micro with separate tone control 60Watt 2 x 8" speakers with HF horn Analog chorus with switchable channel assignment Anti-Feedback section with phase shift and notch filter Reverb Effect loop Stereo Aux input Anti-Feedback section with phase shift and notch filter Dimensions (HxWxD): 41x55x26.5cm Weight: 14.8kg

Bateria estimada e em ótimo estado. Nunca saiu de casa. Ofereço: -Banco -Auscultadores Sennheiser -Par de baquetas Vic Firth 5A -Cabo extensão de audio mini jack 3.5 (para ligar a um dispositivo externo: PC, tlm, etc) Motivo: -Deixei de usar. -Posso entregar em mãos em Aveiro, Porto, Viseu, Coimbra e Guarda. -Podem experimentar sem compromisso. Componentes do set: -1x 10" Two zone Mesh snare pad -3x 10" Two zone Mesh tom pads -1x 8" Kick pad including bass drum pedal -1x 8" Hi-Hat pad -2x 12" Two zone crash pads with Choke function -1x 14" Three zone ride pad with Choke function -Hi-Hat controller -Drum module MPS-750 Descrição: -Drum module with 20 preset kits and 20 user kits -456 Sounds -40 Songs -4-Band EQ -Faders for controlling the volume of pads, the effects or equalizers -Line out L/R, -Headphone output -Line in -USB -MIDI -2 Additional trigger inputs

O Pedal encontra-se como novo ainda com caixa original e respectivos manuais e tudo o lá vem dentro... Descrição do Pedal: Based on the classic Wampler Pedal “Plexi-Drive”, the Plexi-Drive Deluxe builds on the foundation of the original and gives you considerably more control to shape your tone. With a 3 band active EQ and additional brightness control, the Plexi-Drive Deluxe takes a huge step forward into the modern era of pedals. Complete with the perfectly voiced pregain booster, you can achieve almost any Plexi tone from virtually any amp. Since the early 60’s, Marshall Amplifiers® have lead the way in rock tones with its legendary tight overdrive and coveted bass response. Early rock legends such as: Jimi Hendrix, Led Zeppelin, Cream, and AC/DC helped lead the way in creating some of the most iconic rock tones ever produced and catapulted Marshall® into rock legendary status. The Plexi-Drive Deluxe is a direct descendent of the Plexi-Drive Standard but with a few upgraded features. Like the original, the Plexi-Drive Deluxe’s unique gain structure can cover everything from Vintage ’68 style Plexi tones to the all out massive rock tones of a JTM-45® cranked to ten, or even eleven. With the addition of an all-new active 3 band Bass/Mids/Treble EQ stack – you can now have even more tonal control. With the bass boost option, you can emulate the feeling of the low-end thump of a 4×12” cabinet (or two) at the flick of a switch and can allow you to dial in your low end at lower volume gigs or at bedroom volume levels. To compliment this, we also added a bright switch to add high end sparkle – which makes changing from bright to dark guitars (and amps) a breeze. The Plexi-Drive Deluxe also features a one knob, pre-gain boost soft click switch that is voiced like “that ‘valve’ screaming green overdrive with pronounced mids” – to help push your leads into thick creamy overdrive. The Plexi-Drive Deluxe will fill your Marshall® void and give you the crunch, response, boost and feeling that your rig begs for. Whether you are playing sold out shows or rocking out by yourself – the Plexi-Drive Deluxe will take your tone and allow you to create your own flavor of rock! Your search for the perfect versatile M.I.A.B. (Marshall® in a Box) can finally be over. - See more at: https://wamplerpedals.com/plexi-drive-deluxe#sthash.95MhEz4K.dpuf

Mesa de mistura em bom estado, completamente funcional. Ainda na embalagem original. Aceito retoma de material para musica até 200 euros Envio para todo pais mediante transferência bancária. Portes 20EUR Professional ultra-low noisePA mixerwith 3-band EQ + parametric mid, 100 internal DSP effects display, 4 subgroups with USB a / output. Properties -4 subgroups with independent Sub masters -Built-in 24-bit DSP effect unit with 100 presets & foot switch -USB input / output for direct recording on PC -12 balanced input channels, 8 mono + 4 stereo: -Input gain -Inserts on mono channels -Top display @ 5dB -High-pass filter @ 75 Hz 3-band EQ with parametric mid -1 AUX send pre (check) -1 AUX send with pre(VOR)/post(nach)-Schalter -EFX send effect unit (post) -PAN / BAL control -Channel mute (mute) PFL switch -LEVEL with 60 mm fader control -L-R and sub-group 1-2 3-4 selection -48 V phantom power to balanced microphone inputs -Use of external effects possible -Balanced main L/R + subgroup output controls -Headphones and control room output -2 x 10 box LED VU-meter -7-band equalizer on master mix -External power transformer -19 "support included for easy rack installation Technical details: -Dimensions: 436 x 420 x 75 mm -Weight: 5.6 kg

USB 2.0 Audio Interface 24-bit / 192 kHz Two combined XLR / TRS inputs with premium mic preamps thomann (VS Preamps) Two jack outputs Coaxial I/O Headphone connector and MIDI I/O Graphical user software provides fast, intuitive control of the VS Preamps Phantom power Ground Lift and Hi-Z switches One-click AUTO-SENS function for automatic level adjustment of preamps VS Streaming driver with ultra-low latency Background noise free power supply Compact, robust aluminum housing and DI box functionality Power thomann supply: USB Dimensions: 185 x 134 x 44 mm Weight: 570 g Further information Number of analog inputs 2 Number of analog outputs 2 Microphone inputs Yes Phantom power Yes Hi-Z input Yes Digital input Yes Digital output Yes MIDI thomann interface Yes Headphone jack Yes Word Clock No Zero latency monitoring Yes Max. resolution in bit 24 bit Max. sample rate (kHz) 192 USB Bus-Powered Yes Como nova em caixa. Motivo de venda foi ter comprado uma mesa de mistura já com interface audio.

Guitarra Classica Yamaha SLG100N Silent Guitar GARANTIA 2 ANOS Vai com setup feito, Cordas novas. Braço muito macio Sou Luthier de guitarras com muitos anos de experiência. ACEITO RETOMAS Description Virtually inaudible to the outside world, the Yamaha SLG100N Silent Guitar offers a stunning sound that only you will hear. Plug in the stereo headphones and relish the rich ambience of a genuine classical-guitar sound, delivered by the superb B-Band pickup system and a choice of two studio-quality digital reverbs. An Auxiliary input, with adjustable level, lets you connect a CD or tape deck to play along with your favourite tracks, while, thanks to its Line Out socket, the SLG can also be used for recording or for connection to a guitar amp for public performance. The Silent Guitar utilises a B-Band pickup system fitted beneath the instrument`s bridge. This high performance system delivers rich, full-bodied classical guitar tone and excellent response. Bass and treble tone controls mounted on the body for easy access give you total control over the guitars tone. Since no microphone is used, the Silent Guitar eliminates the worry of feedback when performing live with a sound system. Yamaha SLG100N Silent Guitar features: Body: Solid maple with maple frame Neck: Mahogany Fingerboard: Rosewood Bridge: Rosewood Strings: Nylon Maximum body depth: 80mm (3.15) Scale length: 650mm (25.59) Tuning machines: gold with pearloid buttons Finish: Natural with black/maple frame Electro system: B-Band under-saddle pickup; preamp with volume, bass, treble, built-in two-preset digital reverb, reverb select, line out, aux in with level control, headphone out, phones on/off

Vendo Amplificador Combo a válvulas Blackstar HT 60 Stage Em estado impecável, apenas tocou 2 vezes fora do estúdio. 3 canais com 2 bandas EQ para o canal "boutique" e 3 bandas EQ mais ISF para os 2 canais Overdrive. Switch para voice em cada canal, Presence, Resonance, Master Volume e Reverb digital com 2 modos, dark e bright, Effects Loop e output com emulador de coluna. ■ 60 Watt valve combo ■ 2xECC83, 1xECC82, 2xEL34 ■ Three footswitchable channels ■ 2x12˝ Celestion speaker ■ Enhanced tone controls ■ Patent-Applied-For Infinite Shape Feature (ISF) ■ Clean Voice switch ■ Overdrive 1 & 2 Voice switch ■ Footswitchable ■ Presence ■ Master volume ■ Digital reverb with dark/bright switch ■ Speaker emulated output with 1x12/4x12 voicing ■ Effects loop with effects level switch ■ 4-way footswitch included ■ Cool vintage styling https://www.youtube.com/watch?v=pAiwfQoEu1c Eventual troca por amplificador a válvulas, cabeças, como Marshall, Mesa Boogie, Diezel, Bogner, Morgan, Fender, Friedman, Victory, Revv, Supro, Two Rock

Pack Mesa Som + Cabo+Microfone +Tripé Micro(Novo) Obs: O equipamento ideal para Karaoke para ter em casa, Bar, Festa... Características Mesa: -5-Channel Mixer -1 Microphone input with phantom power -2-Band EQ and balance -2 Stereo inputs with each 2 jack inputs -Master output via 2x jack unbalanced -Additional input via RCA (2Track in/ out) -Separately adjustable headphone output Características Microfone Supercardioide: -Dynamic Microphone -Polar pattern: supercardioid -Sensitivity: -52 dB -Impedance: 600 Ohm 1 Cabo XLR 3metros 1 Tripé Microfone

Pack Mesa Som + Cabo+Microfone +Trip Micro(Novo) Obs: O equipamento ideal para Karaoke para ter em casa, Bar, Festa... Caractersticas Mesa: -5-Channel Mixer -1 Microphone input with phantom power -2-Band EQ and balance -2 Stereo inputs with each 2 jack inputs -Master output via 2x jack unbalanced -Additional input via RCA (2Track in/ out) -Separately adjustable headphone output Caractersticas Microfone Supercardioide: -Dynamic Microphone -Polar pattern: supercardioid -Sensitivity: -52 dB -Impedance: 600 Ohm 1 Cabo XLR 3metros 1 Trip Microfone