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Heroes del Silencio - 1º edição espanhola em vinil - 1990 VG++ Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. Descrição das siglas para avaliação: MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip

6x Grandes compositores Lps (Vg) – 5€ Prokofiev – Greatest hits – (VG+) - 2€ Wolf Bierman – Haelfte des lebens- (G+) - 4€ Tchaikowsky – Sinfonia nr 6 - (G+) - 2€ Beethoven – Sinfonia nr 5 – (G) – 2€ Mozart – Petite musique de nuit – (VG+) - 3€ Tchaikovsky – colecção caixa 8 LP (NM) – 6€ Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them. Covers are so heavily damaged that you almost want to cry.

Vinil - Amália canta portugal - 200g VG Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. Descrição das siglas para avaliação: MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip

Preço venda individual: Clippers - Arraial minhoto - (VG+) - 4€ Black Power - Mornas e coladeiras - (VG+) (capa G-) - x Amália Rodrigues - Canta Portugal 2 - (VG+) - 7€ Amália Rodrigues - Sr. Extraterrestre - Maxisingle (VG) (capa com rasgão) - x Lou Reed - Live - (G)- 8€ Jefferson Starship - Freedom at point Zero - (G+) (Gatefold) - 8€ Debbie Harry (Blondie) - Backfired - Maxisingle (VG+) - x Hi-fi test - 2xLP Gatefold (VG+) - x MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them. Covers are so heavily damaged that you almost want to cry.

Single vinil do Leonard cohen Edição portuguesa de 1984 VG++ Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. Descrição das siglas para avaliação: MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip

Vinil dos CCR - G+ - Sem capa Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. Descrição das siglas para avaliação: MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip

32 Amp models from POD 2.0 with Drive, Bass, Mid, Treble, and Channel Volume control 16 modulation effects, including chorus, flanger, and tremolo, plus 6 delay models (dedicated and separate from the modulation effects) 128 Presets 7 footswitches with 1 Volume/Wah Pedal and Tap Tempo / Tuner footswitch Inputs/Outputs include a 1/4-Inch Input, 2 unbalanced 1/4-Inch Outputs, 1/4-Inch Headphone jack and 1/8-Inch CD/Mp3 input Line 6's POD was a revolution when it came to multiFX, so it's no surprise it became so successful. The downside was you needed to buy a separate foot controller if you needed to change patches on-the-fly. So, it made complete sense for the manufacturer to bring out a floorboard version. Being one of the company's early forays into footboard territory, it wasn't without its drawbacks. As a result, a new improved version was released with the 'Plus' suffix. How did it fare compared to its predecessor? Read on to find out... LINE 6 QUALITY AMP MODELING The Floor Pod Plus retains all the simplicity of operation that its predecessor enjoyed, it just has many more modelers and effects, including more amps and Line 6's well-regarded Tone Core range of pedals. It looks much better too coming in a more stylish and sturdier frame. Even the expression pedal appears better built than the original. A GREAT MULTIFX UNIT AT A GREAT PRICE ============================== E.... em estado rigorosamente NOVO !! ==============================

With its attractive looks, improved weighted hammer-action keyboard and 64 world-class piano and instrument sounds, the new RD-170 Digital Piano is a worthy addition to Roland/'s acclaimed stage piano lineup. New half-pedal recognition and Master Keyboard functions make this lightweight instrument perfect for professional players, while the RD-170/'s affordable price keeps it within reach of all musicians. - Affordable 64-voice digital piano ideal for students and stage performers alike - 88-note weighted hammer-action keyboard with improved touch response - 64 high-quality Tones including an amazing stereo grand piano and more - New Master Keyboard functions for controlling external MIDI modules - 16 Programmable Setups allow instant recall of custom settings - New half-pedal recognition for sustained playing just like an acoustic piano - Split and Layer functions for dividing the keyboard or playing two Tones at once - Onboard 2-track recorder makes recording performances easy

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

Guitarra Flamenca Alhambra 670 Fc PURE GARANTIA DE 2 ANOS Vai com setup feito, cordas Daddario J45. Braço muito macio Sou Luthier de guitarras com muitos anos de experiência. ACEITO RETOMA Especificações: Tampo: abeto alemão maciço com guarda-unhas transparente Fundo e ilhargas: cipreste maciço Braço: samanguila, reforçado com ébano Diapasão: ébano Carrilhões: dourados The Alhambra 670 Fc PURE is a white flamenco guitar with a beautiful solid cypress back and sides. Tremendous, genuine, brilliant and percussive are some of the adjectives that define the 670 Fc PURE model by Alhambra Guitars. An instrument with an impressive flamenco sound, constant tone and definition in the melody. It is also fully balanced, both in power as well as in the relation between bass and treble. The model 670 Fc PURE is an instrument of the line professional, with a low level of hardness and the quality that guarantees Manufacturas Alhambra. A very comfortable white flamenco guitar which will meet the demands of a flamenco interpreter. Ebony reinforcement on neck Besides the solid cypress back and sides and top solid spruce German, this guitar incorporates ebony on the fingerboard, gold plated machine heads and ebony reinforcement on the neck. In the process of making the Alhambra guitars, the ebony reinforcement is placed inside the neck and it is not visible at simple sight. In order to see the ebony piece, the saddle must be removed. The reinforcement is located just under the fingerboard. It comes with an extra saddle Each guitar player has a way of playing, which means that within the same model there will be variations. In this case, it is possible to change the action of the strings by changing the "bone" of the bridge, the saddle. The model 670 Fc PURE comes with two saddles with different height, to get a lower or higher action, already adapted to the guitar. A guitar designed to generate the correct buzzing when the guitar player requires it and to allow the greater comfort in the interpretation. Both, the saddle and the nut are made of melamine, this material is highly conductive of the sound and it helps to balance the sound in the instrument.

Vendo controlador MIDI USB Pode ser usado no chão para controlar com o pé (foot midi controller) ou com a mão como um controlador de midi normal. Plug and play, não necessita de drivers, funciona em Win e OSX Estado novo, motivo da venda, comprei dois e acabei por só precisar de um. Não inclui cabo USB Pode-se adicionar pedal de expressão para controlar por midi. Funciona em programas DAW (cubase, ableton live, reaper, logic) e ideal para controlar VST's tipo guitarRig, amplitube etc. caso tenha alguma questão posso dar mais informações, sobre configurações etc. envio pelo correio ou entrego na zona de coimbra Portes pagos pelo comprador (os portes não são negociáveis) 4 Button USB MIDI Footswitch MIDI Foot Controller with external pedal input Descrição do fabricante: Plug and play, no driver or installation needed. Just plug it into a free USB slot and your OS will recognize it. Choose USB Midi device in your software settings and you're ready to go. Two controller mode: Mode 1: Changing whole presets. The controller sends program change messages. The LEDs indicates which preset is working. Mode 2: To activate this mode, press buttons 2&3&4. To change back to mode 1, press buttons 1&2&3 (All LEDs will blink for half a second to indicate this). In mode 2 the controller sends control change messages. It allows you turn functions/effects on and off individually. The LEDs indicate the state. In mode 2, press a button for 10 seconds to switch to momentary mode. (All LEDs will blink for half a second to indicate this). It allows you to use non-on/off functions like 'previous/next preset', 'tape deck play' etc. The LEDs do not light up in momentary mode since it's unnecessary. Now you can use all the functions of your software. External pedal input. You can connect any standard pedal with a 6.3mm (¼ inch) stereo jack (TRS). If you can't use the full range of the pedal you may have to calibrate it. Calibration: Step 1:turn the pedal to minimum position and press button 1 AND button 3. (All LEDs will blink for half a second to indicate this). Step 2:turn the pedal to maximum position and press button 1 AND button 4. (All LEDs will blink for half a second to indicate this) The device will save the calibration data so you only have to do it once. This is a USB MIDI controller so works with PC/Mac/iPad/iphone ONLY. Highly durable plastic case and buttons, recommended for room practice. For on-stage use i recommend the metal versions. Dimensions:300x90mm Weight:0,3Kg USB cable not included.

Amplificador de guitarra eléctrica EXCELENTE Marshall MS2 Black Marshall MS2 Silver Marshall MS2 Red Micro Mini Amp com som impressionante pesquisar em youtube com watch?v=fHAd4dQK374 PORTÁTIL E COM ÓPTIMO SOM... Contactos TM após 19:00h ======================= Baixa de preço... temporária... ======================= Contactos: SMS ou Email. TMovel: apenas após 19h Mini-Stack Amplifier Although this smallest Marshall looks like a toy, he is shining in terms of sound. Clean and distorted it sounds pretty crazy, so it is not a surprise that many use it not only for fun practice (also usable with headphones). Also Blues harp players have been spotted using the little one. Great fun for little money! =================== Functioning Combo in miniature Power: 1 Watt RMS Clean & Overdrive Mode Tone control with wide bandwidth Headphone jack Operates with batteries or power supply Limited edition version Dimensions: 140 x 110 x 60 mm Power supply with optional 9V battery or optional 9V power supply Micro Amplifier The MS2 is the ultimate between Mini Amps. It is powered by battery or mains and in just 14 x 11 x 6 cm tiny case produces real, full Marshall sound. Additionally, there is also a headphone jack, via an external power amplifier can be driven. This small "sound miracle" can be switched on Clean and Overdrive Mode and has a tone control with extreme bandwidth.

Life gets pretty boring when you can beat the snot out of any villain with just one punch. Nothing about Saitama passes the eyeball test when it comes to superheroes, from his lifeless expression to his bald head to his unimpressive physique. /r/nHowever, this average-looking guy has a not-so-average problem-he just can't seem to find an opponent strong enough to take on!Immediately before the big Monster Association battle, the Class-S heroes hold a strategy meeting. /r/nUnfortunately, they just aren't in sync, and when Amai Mask barges in, the situation only gets worse. Thankfully, King appears just in time to boost their morale-and it's a good thing, too, because suddenly the big monster battle begins!

Strange enough, this is one of the most underrated effect units, really hard to find one these days and for good reason; easy to use, very nice modulation effects, robust, relatively small and light... Steve Macleod of harmonycentral.com says: I bought the A300G when it first came out, and at the time it was the best bang per buck effect unit out there with reasonably low noise... I still use it a lot on clean patches, it meshes nicely with my Marshall Valvestate 100 when I send the left side to the main amp input and the right side to the effect loop plug. I find I can set up just the right balance of effect this way. The stereo output is a very nice feature. Delays, modulations, reverbs are quite good, and some of the patches are very unique. (much better than Digitech or Zoom) If you like to make your own sounds then the AX300G is for you, but if want emulation, I would say look elsewhere. I still own it and still use it reguarly, so I guess that says something about it.

Guitarra electrica Fender Telecaster Mexican GARANTIA 2 ANOS Vai com setup feito, Cordas novas. Braço muito macio Sou Luthier de guitarras com muitos anos de experiência. ACEITO RETOMAS Specifications Body Body: Alder Body Finish: Polyester Neck Neck Shape: Modern "C" Shape Number of Frets: 21 Fret Size: Medium Jumbo Fretboard Radius: 9.5" (24.1 cm) Fretboard: Maple Neck Material: Maple Neck Finish: Tinted Satin Urethane Nut Width: 1.650" (42 mm) Scale Length: 25.5" (64.8 cm) Truss Rod Nut: 3/16" Adjustable Hex Nut Electronics Pickup Configuration: S/S Bridge Pickup: Standard Single Coil Tele Bridge Pickup Neck Pickup: Standard Single Coil Tele Neck Pickup Pickup Switching 3-Position Blade Position 1. Bridge Pickup Position 2. Bridge and Neck Pickups Position 3. Neck Pickup Controls: Master Volume, Master Tone Hardware Hardware: Chrome Bridge: 6-Saddle Strings-Thru-Body Tele Bridge Tuning Machines: Standard Cast/Sealed Tuning Machines String Nut: Synthetic Bone Switch Tip: "Barrel" Style Switch Tip Tools Truss Rod Wrench: 0.1875" The Standard Telecaster The Fender Telecaster is a historic instrument with origins dating back to the dawn of solid-body electric guitars. Musicians love the Tele today just as much as they did back then, and it is one of most popular guitars of all time. While it is most commonly associated with country music, blues and rock, the Telecaster can get the job done in just about any genre. Even heavy metal shredders have been known to employ modified Teles. There is really nothing this guitar cant do.