This considered be

Never grow up, always down. Those are the wise words from the world's number one storyteller- Roald Dahl. Now, you can keep all of Roald Dahl's wit and wisdom on you at all times in this beautiful book./r/nMr Dahl has given us a lot of wit and wisdom over the years. Whether it's how good thoughts will shine out of your face like sunbeams, or that a little nonsense now and then is relished by the wisest men./r/nWith this in your back pocket, you'll always be prepared if you're ever offered snozzcumbers for dinner, or if a certain Mr Wormwood tries to sell you a 'brand new' car.Filled with Quentin Blake's iconic illustrations, it's the perfect Christmas gift for little people growing up, and big people growing down.

Heroes del Silencio - 1º edição espanhola em vinil - 1990 VG++ Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. Descrição das siglas para avaliação: MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip

6x Grandes compositores Lps (Vg) – 5€ Prokofiev – Greatest hits – (VG+) - 2€ Wolf Bierman – Haelfte des lebens- (G+) - 4€ Tchaikowsky – Sinfonia nr 6 - (G+) - 2€ Beethoven – Sinfonia nr 5 – (G) – 2€ Mozart – Petite musique de nuit – (VG+) - 3€ Tchaikovsky – colecção caixa 8 LP (NM) – 6€ Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them. Covers are so heavily damaged that you almost want to cry.

Vinil - Amália canta portugal - 200g VG Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. Descrição das siglas para avaliação: MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip

Preço venda individual: Clippers - Arraial minhoto - (VG+) - 4€ Black Power - Mornas e coladeiras - (VG+) (capa G-) - x Amália Rodrigues - Canta Portugal 2 - (VG+) - 7€ Amália Rodrigues - Sr. Extraterrestre - Maxisingle (VG) (capa com rasgão) - x Lou Reed - Live - (G)- 8€ Jefferson Starship - Freedom at point Zero - (G+) (Gatefold) - 8€ Debbie Harry (Blondie) - Backfired - Maxisingle (VG+) - x Hi-fi test - 2xLP Gatefold (VG+) - x MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them. Covers are so heavily damaged that you almost want to cry.

Single vinil do Leonard cohen Edição portuguesa de 1984 VG++ Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. Descrição das siglas para avaliação: MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip

Vinil dos CCR - G+ - Sem capa Aos preços acrescem portes de envio (Cerca 2€ por 1 LP, 3,5€ 2xLP 4,5€ 3xLP). Posso também encontrar-me com o comprador em local a combinar em Matosinhos e no Porto. Descrição das siglas para avaliação: MINT (M) These are absolutely perfect in every way. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Very Good (VG) Groove wear is evident on sight, as are light scratches deep enough to feel with afingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. They remain a fine listening experience, just not the same as if it were in better shape. Good (G),Good Plus (G+)or Very Good Minus (VG–) The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. POOR (P) and Fair (F) Records are cracked, impossibly warped, or skip

This is a great piece of equipment if you want to record at home! It is very simple to use and is compatible with most operating systems, except Windows 10 and the latest MAC OS. All drivers and features can be downloaded online. I am no longer using this as I have windows 10 and I can't make this work! Features: MobilePre audio interface 24-bit, 48kHz (better-than-CD) audio quality record two sources simultaneously 2 front-panel XLR/TS combo jacks for recording microphones and/or instruments 2 rear-panel line inputs for recording line-level sources such as keyboards, drum machines, synthesizers, and more Front/Rear Input Select button”record via front-panel combo jacks or rear-panel line inputs 4 top-panel knobs for adjusting input/output levels and headphone volume 48V Phantom Power switch to power studio-quality condenser microphones Direct Monitor button for monitoring your recording without distracting latency Rear-panel line outputs for connecting studio monitors headphone input USB port for connection and power Pro Tools First software Award-winning Pro Tools composing, recording, editing, and mixing features mix up to 24 tracks (16 audio tracks, 8 virtual instrument tracks) Integrated learning tools make it easy to create music Built-in composing features, including MIDI sequencing and Score editing includes over 100 different virtual instruments Powerful, pro-quality effects including reverb, EQ, and guitar amp/distortion effects Easily record up to two instruments at once

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

Over the years, the Order has become a popular topic for movies, novels, websites, and even video games. From the Great Depression, which was ultimately necessary, to world wars. In many people's minds, the Order idea ties in with the New World Order, a current political idea about a one-world government, religion, and financial system. The New World Order is the outward goal and we are the secret power working behind the scenes to achieve it. Many pseudo-entertainers are aware of Illuminati legends and work those symbols and myths into their acts to fuel further speculation. Supporters of this idea say organizations like the United Nations, European Union, the World Health Organization, the World Bank, International Monetary Fund, G-20 Economic Group, the World Court, NATO, Council on Foreign Relations, World Council of Churches and various multinational corporations are pawns of the New World Order, nudging the world closer and closer to this socialist, one-economy, one-religion future. After the industry campaign started long time age, the Order became a viral subject. Since then, many people have requested guidance on how to join the Illuminati whether it be for money or fame or to change the world. Membership entitles each individual participation in the most powerful organization in the world, aiming at creating a new solidarity, a new method of world unity, globalization and affluence. To this end, the order requires influence. The Illuminati is the leading network of major TV, music, and literary placements. Information on joining the Illuminati as well as applications, requirements, quota, payment, terms and conditions can be found on the members page. To find out how much your membership grants you, as well as where the staff feels best feels your placement should be, please visit our membership lodge, or contact a member. You can also simply contact the agent in south Africa on:+27784115746 for more info OUR GOALS To free minds from the chains they've been confined to. We know that the masses are awakening, and that they're ready to get rid of what holds human civilization back. We all die. The goal isn't immortality, it's to create something, a system or a future, that is. Be a part of something bigger, and get reward. NOTE. To join illuminati it does not cost any money we only sacrifice animals according to some one's need. email maamabuba1@gmail.com or call http://lovepsychicabuba.webs.com http://youtu.be/DgquSyIjUII

Guitarra eléctrica Godin modelo Solidac com duas saídas, eléctrica normal e uma saída que simula guitarra acústica.Uma excelente e versátil guitarra.Não aceito trocas. "The Solidac is all about versatility. The humbucker-single-hum-bucker pickup design is considered to be the most powerful ofcommonly used pickup configurations. Add to that the acousticguitar tones produced by the L.R. Baggs X-Bridge and internalpre-amp and the Solidac could easily become the only guitaryou'll ever need"

Clássico dos anos 80-90 Compression/sustainer/distortion pedal O PEDAL de EFEITOS preferido de Andy Summers (guitarrista dos The Police/STING). The Pigtronix Philosopher's Tone Germanium Gold LTD is a new version of the classic Philosopher's Tone compression/sustainer/distortion pedal that has been a favorite for many guitarists. This new limited version of the Philosopher's Tone comes equipped with 1N60 Germanium Diodes in an asymmetrical clipping format. What this translates into is a smooth top end and midrange response, creating more character and even more punch than the original Pigtronix Philosopher's Tone. If you felt that the original circuits in the Philosopher's Tone were brilliant, wait until you hear how the Germanium diodes add to the overall character of this compressor/sustainer pedal. The clean side of the Philosopher's Tone remains the same - dial in your Treble and Volume to get the signal you desire. Use the Sustain Knob to dial in the amount of compression you need - this will provide a sustain unheard of in many compression pedals, and retain the original integrity of your tone. The Grit knob acts as a blender control, and you can dial in more or less grit, depending on your tastes. Your clean and overdriven tones from the Philosopher's Tone can be blended perfectly - with just the right amount of grit for your playing. The Pigtronix Philosopher's Tone Germanium Gold LTD really brings something special to the world of compression stompboxes. With Germanium diodes, a more refine treble response, incredible sustain, and smooth overdrive on hand, this is the compression pedal to have on your board. If you're looking for the best guitar compressor out there, be sure to try out the Pigtronix Philosopher's Tone Germanium Gold LTD. It may be the final alchemical stage to perfecting your ultimate guitar tone. PVP 299 eur. TROCAS: Wampler, Boss, One Control, Fulltone, MXR, Electro-Harmonix, JHS, Fender, Ibanez, Gibson, PRS, etc

Guitarra Flamenca Alhambra 670 Fc PURE GARANTIA DE 2 ANOS Vai com setup feito, cordas Daddario J45. Braço muito macio Sou Luthier de guitarras com muitos anos de experiência. ACEITO RETOMA Especificações: Tampo: abeto alemão maciço com guarda-unhas transparente Fundo e ilhargas: cipreste maciço Braço: samanguila, reforçado com ébano Diapasão: ébano Carrilhões: dourados The Alhambra 670 Fc PURE is a white flamenco guitar with a beautiful solid cypress back and sides. Tremendous, genuine, brilliant and percussive are some of the adjectives that define the 670 Fc PURE model by Alhambra Guitars. An instrument with an impressive flamenco sound, constant tone and definition in the melody. It is also fully balanced, both in power as well as in the relation between bass and treble. The model 670 Fc PURE is an instrument of the line professional, with a low level of hardness and the quality that guarantees Manufacturas Alhambra. A very comfortable white flamenco guitar which will meet the demands of a flamenco interpreter. Ebony reinforcement on neck Besides the solid cypress back and sides and top solid spruce German, this guitar incorporates ebony on the fingerboard, gold plated machine heads and ebony reinforcement on the neck. In the process of making the Alhambra guitars, the ebony reinforcement is placed inside the neck and it is not visible at simple sight. In order to see the ebony piece, the saddle must be removed. The reinforcement is located just under the fingerboard. It comes with an extra saddle Each guitar player has a way of playing, which means that within the same model there will be variations. In this case, it is possible to change the action of the strings by changing the "bone" of the bridge, the saddle. The model 670 Fc PURE comes with two saddles with different height, to get a lower or higher action, already adapted to the guitar. A guitar designed to generate the correct buzzing when the guitar player requires it and to allow the greater comfort in the interpretation. Both, the saddle and the nut are made of melamine, this material is highly conductive of the sound and it helps to balance the sound in the instrument.

ATENÇÃO: NO ENVIO Á COBRANÇA SÃO MAIS 6€ ALEM DO PREÇO DO ARTIGO QUALQUER QUE SEJA A QUANTIDADE ATÉ AO TOTAL DE 2KG. COMPRE O ARTIGO SÓ SE TIVER A CERTEZA DE QUE NÃO VAI DESISTIR. SE TEM DUVIDAS - FAÇA PERGUNTAS PRIMEIRO... _______________________________________________________________________________________________________________________________________________________ O envio é realizado em correio REGISTADO ou NORMAL de acordo com seu pagamento; 1- ENTREGA EM 19 A 29 DIAS UTEIS, Este prazo de entrega serve apenas como referência, devido a possiveis atrasos no transporte a entrega poderá demorar mais uns dias. 2- ENVIOS GRÁTIS É SÓ PARA CORREIO NORMAL. 3- ENVIOS EM CORREIO NORMAL GRÁTIS - Se pretende o envio em CORREIO REGISTADO acresce mais 4€. 4- ENVIOS Á COBRANÇA - ACRESCE MAIS 6€, Deste 6€ tem que pagar um sinal de 2€ antecipadamente, como forma de garantia de que realmente pretende o artigo, o restante valor paga só quando receber o artigo. Qualquer duvida mais disponha... ________________________________________________________________________________________________________________________________________________________ _ FrSky Variometer Sensor Vario-High Precison Description: Brand name: Frsky Item name: Variometer Sensor Vario-High Precision Measures: -700 to 10000m with 0.11m resolution Operational voltage: DC4-10V Operational Current: 30mA Dimensions: 31 x 18 x 6mm (L x W x H) Weight: 3.1g Features: Calculates the altitude by reading barometric pressure. Used with a compatable telemetry receiver and transmitter, sensor data can be send back to ground and used to provide alarms, logs, and other useful information. This sensor uses the FrSky's new Smart Port digital protocol which can be connected direct to the new FrSky 'X' receiver or a digital port on the D series receivers. Note: There are two versions for the variometer sensors, one is normal precision, another is high precision. This is the high precision version. Package Included: 1 x Variometer Sensor Vario-High Precision

Great sounding amp, everything works perfectly. This is a very rare amplifier that was only made for 1-2 years in the late 70's jmp era and was also know as the rock 'n' roll baby. This 2150 combo is the same circuit as the holly grail of marshalls the 4 hole 1959 slp super lead head in combo form. The only differences being a few differences in cap/resistor values and the very useful master volume (so you don't need and attenuator to get some gain). The stock speaker was replaces as it was crap, it now has a well broken in Celestion G12b-150 which is a good match as it has lots of bass and tames the trebles nicely. Cosmetically there is a tear on the cloth, a few scuffs on the tolex and some of the text has wore off the control panel but for its age its in great condition (no rust like a lot of these amps seem to have). It has been used lots and toured with, has always been reliable. Has just been serviced and had new matched set of JJ EL34 output valves, all new electrolytic capacitors, two new input jacks as the others were kaput. Very clean inside with all original transformers, resisters etc, no hum and working very well. It has the 70's standard 4 inputs, 2 dark sounding, 2 bright and a high and a low for each. The channels can be jumpered of course. Each Channel has its own gain dial, there is a full eq section of treble, middle, bass, presence and a master volume. On the back there is a speaker output ohm selector, a voltage selector and 2 speaker jacks which can be connected to a 4x12 which sounds great