Six by

Power Supply Burkey Flatliner Six €100 https://goo.gl/yV1DH8 Transformador de 6 saídas ISOLADAS com 100mA cada, reguláveis entre 9 / 12 / 15 ou 18V. Bastante pequeno e compacto. PREÇO FIXO. NÃO RESPONDO A SMS. NÃO PAGO PORTES E NÃO ACEITO TROCAS (Obrigado por não perguntar). Entrega em mão no Porto ou envio via CTT à cobrança para o resto do país com pagamento antecipado dos portes.

Power Supply Burkey Flatliner Six EUR100 Fonte de alimentação de 6 saídas ISOLADAS com 100mA cada, reguláveis entre 9 / 12 / 15 ou 18V. Bastante pequeno e compacto. TROCO por CIOKS DC-5 ou DC-10. PREÇO FIXO. NÃO RESPONDO A SMS. NÃO PAGO PORTES E NÃO ACEITO TROCAS (Obrigado por não perguntar). Entrega em mão no Porto ou envio via CTT à cobrança para o resto do país com pagamento antecipado dos portes.

Power Supply Burkey Flatliner Six Fonte de alimentação similar a VOODOO LAB / CIOKS (para pedais de efeitos / pedaleiras) de 6 saídas ISOLADAS com 100mA cada, reguláveis entre 9 / 12 / 15 ou 18V. Bastante pequeno e compacto. Inclui todos os acessórios e caixa original. Para pedais como Fulltone, Xotic, Wampler, Strymon, Empress, Electro Harmonix, EHX, DOD, Pigtronix, MXR, Boss, Line 6, etc... Apenas TROCO por VOODOO LAB MONDO ou CIOKS DC-5. - TERMOS 1.PREÇO FIXO. NÃO RESPONDO A SMS. NÃO ACEITO TROCAS E NÃO PAGO PORTES [Obrigado por não perguntar]. 2.ENTREGA/ENVIO: Negócio em mão no PORTO ou envio via CTT à cobrança para o resto do país com pagamento antecipado dos portes por transferência bancária. 3.INFO ADICIONAL: PF ligue para o número indicado no anúncio e veja os meus outros ANÚNCIOS.

TROCO (com ou sem acertos) POR: Microfones de Estúdio iPad Air 2 / PRO Behringer HA4700 Powerplay Pro-XL Material Fotográfico Canon Travões de Disco Hidráulicos BTT da Avid, Hayes ou Hope 1.Ernie Ball VP JR 250k 2.Analogman 3.Strymon 4.Xotic 5.MXR Carbon Copy / M300 Reverb 6.Pigtronix 7.Wampler - LISTA DE MATERIAL: 20 fichas direitas George Ls para cabo.155 DOD FX51 Juice Box DOD FX 96 Analog Delay DOD DFX 91 Digital Delay/Sampler LINE 6 Verbzilla BOSS FZ-3 Fuzz MARSHALL Guv'nor (original vintage - UK) XOTIC SL Drive EMPRESS EFFECTS Multidrive ProCo RAT 2 DR. SCIENTIST Tremolessence PEDALTRAIN Mini FLATLINER Six by Burkey - Power Supply BEHRINGER RV600 Reverb Machine BEHRINGER Powerplay P1 *Novo BEHRINGER UMA-25S M-AUDIO Venom TC ELECTRONIC M-ONE XL FONESTAR FRS-160 - RACK 16U SANTO SOM - RACK 10U/4U + RACK 5U + SKATE - TROCAS EM MÃO p/ segurança de ambos. NÃO RESPONDO A SMS. NÃO PAGO PORTES (Obrigado por não perguntar). Entrega em mão no Porto ou envio via CTT à cobrança para o resto do país com pagamento antecipado dos portes.

PF LEIA OS TERMOS: 1.NÃO INTERESSAM TROCAS. NÃO RESPONDO A SMS E NÃO PAGO PORTES [Obrigado por não perguntar]. 2.ENTREGA/ENVIO: Negócio em mão no PORTO ou envio via CTT à cobrança para o resto do país com pagamento antecipado dos portes por transferência bancária. 3.Veja os meus outros ANÚNCIOS POSSÍVEIS TROCAS (com devidos acertos): - Microfones e Pré-amplificadores de estúdio - Monitor Full HD 32" 100MHz - iPad Air 2 ou talvez Tablet Androide recente de 10" - Material Fotográfico Canon (Lentes série L) - Travões de Disco Hidráulicos BTT da Avid, Hayes ou Hope - 1.Ernie Ball VP JR 250k 2.Analogman 3.Strymon 4.Xotic 5.MXR Carbon Copy / M300 Reverb 6.Pigtronix Mothership / E2D 7.Wampler Ego / Clarksdale / Tumnus 8.JHS 9.Effectrode 10.Origin Effects 11.TWA 12.EQD 13.Catalinbread 14.Pedaltrain JR SC/HC - LISTA DE MATERIAL: 20 fichas direitas George Ls para cabo.155 DOD FX51 Juice Box DOD FX 96 Analog Delay DOD DFX 91 Digital Delay/Sampler LINE 6 Verbzilla BOSS FZ-3 Fuzz MARSHALL Guv'nor (original vintage - UK) XOTIC SL Drive Chrome ProCo RAT 2 DR. SCIENTIST Tremolessence PEDALTRAIN MINI PEDALTRAIN NOVO 24 FLATLINER Six by Burkey - Power Supply BEHRINGER RV600 Reverb Machine BEHRINGER Powerplay P1 *Novo ALLEN & HEATH WZ3 Mix Wizard TC ELECTRONIC M-ONE XL SANTO SOM - RACK 10U/4U + RACK 5U + SKATE FONESTAR FRS-160 - RACK 16U Fender SQ Vintage Modified 70's Jazz Bass

Termos 1. Não aceito TROCASe não pago PORTES. 2. ENTREGA no PORTO ou ENVIO à cobrança com os portes pré-pagos por transferência. 3. PF ligar para + INFO e veja os meus outros anúncios. - 1. PEDAIS DE EFEITOS: Behringer RV600 = EUR30 DOD USA FX51 Juicebox (tubescreamer-alike) = EUR65 DOD USA DFX91Digital Delay / Sampler (EHX Freeze-alike) = EUR75 DOD USA FX96 Analog Delay (EHX MemmoryMan MN3005 chip) = EUR85 Conjunto -> 3 pedais DOD USA - FX51, FX96 & DFX91 = EUR195 MARSHALL The Guv'nor (o original - made in UK) = EUR200 DR. SCIENTIST Tremolessence = EUR200 XOTIC SL Drive Chrome = EUR100 LINE 6 VERBZILLA = EUR100 2. POWER SUPPLY: Flatliner Six by Burkey - Power Supply = EUR100 3. PEDALBOARD: Pedaltrain MINI v2 SC = EUR50 4. EFEITOS DE RACK: TC Electronic M-One XL = EUR250 Yamaha SPX2000 = EUR1000 TC Electronic M3000 = EUR1000

Material como novo nunca saiu de estúdio tem cerca de 3 anos e foi adquirido diretamente na Symetrics USA por 980 dollars, foi muito pouco usado pois esta como novo só visto. Não baixo mais o valor pois ja estou a pedir uma pechincha por este equipamento. por favor não mandem mensagens a perguntar se baixo o Valor pois não o farei. Especs: This complete analog channel strip performs six separate functions: microphone preamplification, de-essing (sibilance removal), compression/ limiting, downward expansion, parametric EQ, and voice symmetry alignment. All six processes may be used simultaneously. Although we call the 528E a Voice Processor, it is perfectly suitable for any mic- or line-level source. Revered as the choice for broadcast voices and known as the classic one channel console by recording studios, the 528E delivers all the control you need, without the cost or complication of separate units. Each function has a full complement of controls in an easy-touse layout. The 528E works with any professional microphone. Mic preamp gain is variable up to 60 dB, and 48 volt phantom power is provided for condenser mics. A switchable 15 dB pad reduces gain in front of the mic preamp to prevent distortion in super-close micing situations. A front panel switch selects between microphone or line input. Both inputs are transformerless and are equipped with filters to prevent radio frequency interference (RFI). The de-esser senses and regulates selectable high frequencies to reduce or eliminate annoying sibilance and lip smacking. Symetrix program-controlled Integrated Dynamics Processing (IDP) techniques combine the best attributes of compressor/limiters and downward expanders. The compressor/ limiter maintains uniform levels while the downward expander eliminates pumping, breathing, and noise build up. Because its program controlled, the 528Es dynamic range processor responds quickly to transients, and gently to smaller level changes. Separate LED meters display mic/input gain and gain reduction, for quick and accurate adjustment of dynamics functions. The three band parametric EQ performs both creative enhancement and corrective (eliminating resonances and interference) operations, with bandwidth variable from 0.3 octave to 4 octaves, 15 dB boost/cut, and overlapping frequency ranges. A unique leap frog topology minimizes the number of amplifiers in the signal path while ensuring that each frequency band interacts with its neighbor in a desirable and musical fashion. The Voice Symmetry switch corrects for excessive positive or negative signal peaks of the human voice. Get the same processing power found in an entire recording studio signal chain with the 528E Voice Processor from Symetrix, the engineering-driven company of signal processing specialists

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

Vendo pedal afinador para baixo Chromatic Tuner TU-3 da BOSS. Pedal em estado impecável. Entrega em mãos. Não aceito trocas. - 21-segment LED meter with brightness control - High-Brightness mode enhances meter visibility outdoors - Accurate to +/- one cent - Accu-Pitch Sign function provides visual verification when tuning is complete - Chromatic and Guitar/Bass mode (tune by string number, with support for 7-string guitars and 6-string basses) - Flat tuning is supported with Guitar Flat mode, which allows for droprdquo; tunings up to six semitones below standard pitch - Tuner automatically mutes when the tuner is on

Traveler Guitar Travelcaster Deluxe Surf Green Inspired by over six decades of heritage and tradition, the all-new Traveler Guitar Travelcaster is a full 25 1/2" scale electric travel guitar. At just 5 lbs. 3 oz. and an overall length of 33.75 in., the Travelcaster emphasizes portability without sacrificing playability. It comes equipped with 3 single coil pickups, 1 volume control, 2 tone controls, a 5-way pickup selector, and chrome 14:1 gear ratio tuners. The 3-on-a-side headstock and 2-point fulcrum tremolo make for far better tuning stability while the steel saddles and bone nut produce more sustain and better tone. The Travelcaster also boasts traditional guitar features like 22 medium jumbo frets, poplar body, and a maple neck. It also comes complete with a deluxe Traveler Guitar gig bag. Available in a retro surf green with maple fingerboard or classic gloss black with rosewood fingerboard, the Travelcaster pays tribute to the past while also offering an innovative and forward-thinking portable solution for guitarists on-the-go. Features Full 25 1/2" scale guitar 5 lbs. 3 oz. and 33 3/4" long 2-point fulcrum tremolo with steel saddles Poplar body, maple neck and fretboard with bone nut Deluxe gig bag Some dings has show in the photos. Para mais informações entrar em contacto por pm