Pret out there

Condição de utilização: Usado Autor(es): C. S. Lewis Idioma: Inglês Formato: Normal Tipo de capa: Capa mole Sinopse Dr Ransom, a Cambridge academic, is abducted and taken on a spaceship to Mars. His captors are plotting to plunder the planet's treasures and plan to offer Ransom as a sacrifice to the creatures who live there. Ransom discovers he has come from the Earth. This is the first novel in CS Lewis' classic sci-fi trilogy. Venda solidária através da Anonimais - Pelos animais sem nome. Todas as vendas revertem na sua íntegra para a esterilização, cuidados veterinários e adopções de animais de rua.

Strange enough, this is one of the most underrated effect units, really hard to find one these days and for good reason; easy to use, very nice modulation effects, robust, relatively small and light... Steve Macleod of harmonycentral.com says: I bought the A300G when it first came out, and at the time it was the best bang per buck effect unit out there with reasonably low noise... I still use it a lot on clean patches, it meshes nicely with my Marshall Valvestate 100 when I send the left side to the main amp input and the right side to the effect loop plug. I find I can set up just the right balance of effect this way. The stereo output is a very nice feature. Delays, modulations, reverbs are quite good, and some of the patches are very unique. (much better than Digitech or Zoom) If you like to make your own sounds then the AX300G is for you, but if want emulation, I would say look elsewhere. I still own it and still use it reguarly, so I guess that says something about it.

Clássico dos anos 80-90 Compression/sustainer/distortion pedal O PEDAL de EFEITOS preferido de Andy Summers (guitarrista dos The Police/STING). The Pigtronix Philosopher's Tone Germanium Gold LTD is a new version of the classic Philosopher's Tone compression/sustainer/distortion pedal that has been a favorite for many guitarists. This new limited version of the Philosopher's Tone comes equipped with 1N60 Germanium Diodes in an asymmetrical clipping format. What this translates into is a smooth top end and midrange response, creating more character and even more punch than the original Pigtronix Philosopher's Tone. If you felt that the original circuits in the Philosopher's Tone were brilliant, wait until you hear how the Germanium diodes add to the overall character of this compressor/sustainer pedal. The clean side of the Philosopher's Tone remains the same - dial in your Treble and Volume to get the signal you desire. Use the Sustain Knob to dial in the amount of compression you need - this will provide a sustain unheard of in many compression pedals, and retain the original integrity of your tone. The Grit knob acts as a blender control, and you can dial in more or less grit, depending on your tastes. Your clean and overdriven tones from the Philosopher's Tone can be blended perfectly - with just the right amount of grit for your playing. The Pigtronix Philosopher's Tone Germanium Gold LTD really brings something special to the world of compression stompboxes. With Germanium diodes, a more refine treble response, incredible sustain, and smooth overdrive on hand, this is the compression pedal to have on your board. If you're looking for the best guitar compressor out there, be sure to try out the Pigtronix Philosopher's Tone Germanium Gold LTD. It may be the final alchemical stage to perfecting your ultimate guitar tone. PVP 299 eur. TROCAS: Wampler, Boss, One Control, Fulltone, MXR, Electro-Harmonix, JHS, Fender, Ibanez, Gibson, PRS, etc

Vendo Amplificador de Guitarra Line6 Spider III 75W. Comprei para o meu filho aprender a tocar guitarra, mas desistiu depressa. Está como novo. Especificações do Amplificador: The Line 6 Spider III 75W Guitar Amplifier is a modeling amp with both the quality and features guitarists want. Twelve amp models and seven dynamic effects are built in, giving you hundreds of tonal combinations right out of the box. These models are combined into 250 presets dialed in by some of the world's greatest guitarists, plus 150 more presets based on classic rock riffs. You can also store your own configurations in one of 36 blank memory locations. A separate ouput for headphones or direct recording and a CD player input are available, as well as a Line 6 pedalboard input, letting you take the Spider III from practice to gig to recording studio. And of course, a tuner is built in. 12 Custom Amp Models Ranging from Clean to Insane, the 12 amps modeled within the Spider III make a wide variety of musical styles possible with just a turn of the knob. Seven Smart Control Effects Integrated effects like sweep echo, phaser, and flanger can be dialed in quickly and combined intuitively, giving you great guitar tone fast. Extensive Preset Library There are 250 presets created by world-class guitarists, many of whom use Line 6 amps in their own music, packed into the Spider III. Then another 150 presets are added based on classic rock songs. There are 36 empty memory locations for your own creations. Genuine Celestion Speaker The Spider III comes equipped with a 12" Celestion speaker--the same speaker that gives Marshall stacks their powerful sound--custom made for Line 6. Excellent Connectivity The main output is augmented by a headphone/direct output, and a CD/MP3 player input. You can also connect a Line 6 pedalboard for on-the-fly manipulation of amp parameters.

Pedaleira de efeitos guitarra BOSS GT-6... A MELHOR?.... IMBATÍVEL !!!.... ROBUSTA, FIÁVEL, INTUITIVA com SOM NATURAL... Incredibly advanced COSM modeling engine. The Boss GT-6 Guitar Effects Processor gives you 30 amp models, plus COSM distortion/overdrive/wah pedal modeling. Includes effects such as Uni-V and De-Fretter, plus superb 24-bit sound quality. 340 effects programs give it more versatility than any pedal in its class and a customize function allows you to create your own tonal wrinkles. 15 analog-style knobs for editing commonly used parameters and an EZ Tone feature for quickly creating custom patches based on 30 templates. Uses built-in expression and control pedals to alter effects in real time. READ THE MANUAL...it is all in there if you have sound sense... This box is durable beyond my wildest expectation...Any curious guitar player needs to strongly consider this processor...try it out but better than that find someone who owns one and has tweeked it and play theirs...I do that for people all the time. I get calls frequently from local jammers asking me to come tweek out their rig...you cannot afford not to have this machine.

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

Always something there to remind me Fortune and fame When the lights go out Voices in my head Low life Promises promises I could show you now Emotion in motion Burning bridges Could be

Don´t let him go Keep on loving you Follow my heart In your letter Take it on the run Tough guys Out of season Shakin´it loose Someone tonight I wish you were there

Vendo 30 discos de vinil House Classics, todos os discos estão em bom estado, somente pelo preço de 75 euros, JA COM OS PORTES INCLUIDOS, SUPER BARATO. Fazia parte de uma coleçao privada, só vendo o lote completo, não vendo á unidade, porque não tenho tempo para listar-los...se tivesse tempo, vendia por unidade, e mais caro logicamente... São 30 discos de vinil House Classics, pelo preço de 75 euros, JA COM OS PORTES INCLUIDOS. FANTASTICA COLEÇÃO, Imperdivel, contem desde: Underground Sound Of Lisbon ‎– So Get Up Dj Gregory - Tropical Soundclash Negrocan - Cada Vez Kristine W ‎– Feel What You Want Dj Gregory - Elle Cleptomaniacs ‎– All I Do Gisele Jackson ‎– Love Commandments (Danny Tenaglia Mix) Db Boulevard - Point of View Full intention - I love America Cevin Fisher - Freaks comes out Dusted - Always there... (deep dish mix) iio - At the End Junior Sanchez Featuring Dajae ‎– B With U Cevin Fisher - Burning Up Boris Dlugosch Presents Booom! ‎– Hold Your Head Up High Antoine Clamaran Feat. Lulu Hughes ‎– Release Yourself B.P.T Ft. DM Binxter ‎– Moody ETC..

- Pedal de Efeitos Boss RC-1 Loop Station - para gravação imediata e loop imediato com sobreposição de loop;, ideal para jam sessions; lead, solo e guitarra ritmo; sobreposição de guitarras; e palco. - Oferta de BOSS TU-80 Tuner and Metronome Looper com 12 minutos de tempo de gravação em stereo. Entradas e saídas stereo para ligação a loop de efeitos de amplificador ou outro instrumento stereo. A gravação é retida em memória mesmo após desligar. Saída para pedal switch externo duplo FS-7 (controlo de rec/overdub/play e redo). Novo display com indicador luminoso de 24 segmentos para controlo visual de modo (Rec/Overdub/Play) e tempo do loop. Funcionamento a pilhas (4,5h de tempo de vida útil) ou alimentador AC (opcional). Dimensão: 73 x 129 x 59mm. Peso: 440g. The BOSS RC-1 is our simplest and most user friendly Loop Station ever, and its a ton of fun! The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub and undo or redo loops using this compact BOSS stompbox. On the top panel, there is a new and innovative loop indicator which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. - Straightforward and easy to operate - Newly designed loop indicator displays the current loop mode (Rec/Overdub/Play) - Runs on a single 9-volt alkaline battery (approximately 4.5 hours of battery life) - Can be used with an optional AC adaptor (PSA series: sold separately) - 12 minutes of stereo recording time - Stereo inputs and outputs - Flexible external footswitch options - Recorded phrase is retained in memory even after the RC-1 is turned off