Orange classic design v

Guitarra Eléctrica Fender Classic Player Baja Telecaster MN Blonde. Absolutamente nova, nunca saiu de casa. Corpo: Ash Braço: Maple Formato: Soft "V" Shape Acabamento: Gloss Polyurethane Escala: Maple 25.5" (648mm) Acabamento; Pente: 1.625" (41.2mm) em Osso Sintético. Neckjoint: Bolt-On Neckplate de 4 parafusos com encastre "Custom Shop Designed". Ferragens: Ponte: American Vintage Strings-Through-Body Tele com 3-Brass Saddles. Trastos: 21 Medium Jumbo Frets. Electrónica: Passiva. Pickups: Braço: Fender Custom Shop 'Twisted' Tele single-coil pick-up; Ponte: 1x Fender Custom Shop Broadcaster single-coil pick-up. Cor: Blonde. Série Classic Player com corpo em Ash e braço perfil "V" em maple. Escala maple com 21 trastos medium jumbo. Pickup Custom Shop 'Twisted' Tele single-coil pick-up (neck) e Custom Shop Broadcaster single-coil pick-up (bridge). Switch S-1. Trocas apenas por: Gibson Hollow Jazz (com acerto da minha parte)

Vendo/troco guitarra eletro-acustica CORT SFX 1 (Sunburst) como nova (sem riscos, amassadelas, estaladelas ou coisas do género) Equipada com pre amplificador fishmann classic 4 e sonicore pickup o que faz com ela tenha um som maravilhoso quando usada amplificada. É uma guitarra de corpo estreito (9 centímetros) com o fundo arqueado (arched back) o que faz com que tenha uma boa projeção do som, esta é uma caracterista que a difere da maior parte das guitarras. (não sei se consegui mostrar isso nas fotos) Teve pouquíssimo uso, os trastes estão como novos (99,99%) As notas tocam tocam todas ao longo da escala e a acçao das cordas é baixa e confortável. (set up recentemente) As cordas estão boas. Troco por outras guitarras (acústicas ou elétricas) amplificadores ou pedais. Quanto ao valor de venda, façam propostas razoáveis e terão resposta!! Pode e deve ser experimentada em Guimaraes Esta guitarra custa mais de 350€ nas lojas famosas por terem bons preços (thomann, musicstore, etc...) Specifications: Solid Spruce Top  Mahogany Back and Sides Neck: Mahogany Fretboard: Rosewood Scale: 25.3" (643mm)  Inlay: Abalone Snowflake Inlay Tuners: Die Cast Nickel with Black Knobs Bridge: Rosewood Electronics: Fishman Isys Plus and Sonicore pickup Advanced Scalloped X-Bracing The SFX has a slim body that is comfortable to play. However you will not sacrifice tone for comfort. The arched back of this guitar will give you full sound projection. The SFX series includes a modern V-shaped neck. This provides added speed and comfort when playing Qualquer duvida disponham! ESP, LTD, Ibanez, Gibson, Washburn, Fender, Suhr, PRS, Music Man, Caparison, Schecter, Jackson, Charvel, Kramer, Carvin, Cort, Godin, Epiphone, Dean, Hamer, Yamaha, Peavey, G&L, Mayones, Framus, Gretsch, B.C. Rich, Fernandes, Parker, Rickenbacker, Danelectro, Vintage, Taylor, Martin, Takamine, Ovation, Adamas, Alvarez, Ramirez, Alhambra, Eastwood, Tanglewood, Lakewood, Tokai, Yamaha, Hagstrom, Guild, Squier, Steinberger, Lag, Teisco, Maison, Aria, Harmony, National, Kent, Hofner, Hohner, Silvertone, Airline, Peerless, Baronet, Italia, Reverend, Guyatone, Music Man, Sterling, Simon&Patrick, Art&luthier, Seagull, La Patrie, Norman, APC, Paul Red Smith, Duesenberg, Maybach, Brian May, Sigma, Greco, Burny, Orville, Navigator, Edwards, History vox, marshall, laney, mesa boogie, orange, line 6, Engl, Roland Blackstar, tech 21, Hiwatt, Ampeg, Randall, Bugera, Hughes & Kettner Dv Mark, Boss, MXR, EMG, Seymour Duncan, dimarzio, Eletro harmonix, Tube screamer Stratocaster, telecaster, Jaguar, Mustang, Standard, Deluxe, Les Paul, SG, Custom, Firebird, Explorer, Flying v Veja os meus outros anuncios

Fender Classic Player 50´s Shoreline Gold Stratocaster. Design Fender Costum Shop! Uma Guitarra de acabamento e materiais superiores. Adequada a qualquer nível de músico, devido ao seu braço em maple muito confortável e o som Strat que os seus pickups vintage de alto ganho proporcionam. Ofereço Setup e cordas à escolha do comprador. A guitarra segue com toda a papelada original e muitas ofertas: Hardcase Gator StrapLockers Fender Originais strap STAGG Stand de Parede (Nunca Usado) Possibilidade de Juntar um Vox Valvetronix 30W ao negócio com acerto de preço. Não estou interessado em trocas. (Apenas por Canon 5D MII ou MIII com devido acerto) A razão da venda prende-se com o simples facto da guitarra estar parada há um ano. Vendendo, terei a oportunidade de investir na minha área profissional que é o video e a fotografia. Posso demonstrar ou entregar em mão na zona de Leiria/Caldas da Rainha/Coimbra. SPECS: http://intl.fender.com/en-PT/guitars/stratocaster/classic-player-50s-stratocaster-maple-fingerboard-shoreline-gold/ Neck Neck Material: Maple Neck Shape: Soft "V" Scale Length: 25.5" (648 mm) Fingerboard Radius: 9.5" (241 mm) Number of Frets: 21 Fret Size: Medium Jumbo String Nut: Synthetic Bone Nut Width: 1.650" (42 mm) Neck Plate: 4-Bolt Custom Neck Finish: Gloss Urethane Fingerboard: Maple Position Inlays: Black Dot Electronics Electronics Bridge Pickup: American Vintage Single-Coil Strat Middle Pickup: Reverse Wound/Reverse Polarity American Vintage Single-Coil Strat Neck Pickup: American Vintage Single-Coil Strat Controls: Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup) Pickup Switching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup Pickup Configuration: SSS Hardware Bridge: 2-Point Synchronized Tremolo with Vintage-Style Stamped Steel Saddles Tuning Machines: Vintage-Style Locking Orientation: Right-Hand Pickguard: 1-Ply White Control Knobs: Aged White Plastic

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

ATENÇÃO: NO ENVIO Á COBRANÇA SÃO MAIS 6€ ALEM DO PREÇO DO ARTIGO QUALQUER QUE SEJA A QUANTIDADE ATÉ AO TOTAL DE 2KG. COMPRE O ARTIGO SÓ SE TIVER A CERTEZA DE QUE NÃO VAI DESISTIR. SE TEM DUVIDAS - FAÇA PERGUNTAS PRIMEIRO... _______________________________________________________________________________________________________________________________________________________ O envio é realizado em correio REGISTADO ou NORMAL de acordo com seu pagamento; 1- ENTREGA EM 19 A 29 DIAS UTEIS, Este prazo de entrega serve apenas como referência, devido a possiveis atrasos no transporte a entrega poderá demorar mais uns dias. 2- ENVIOS GRÁTIS É SÓ PARA CORREIO NORMAL. 3- ENVIOS EM CORREIO NORMAL GRÁTIS - Se pretende o envio em CORREIO REGISTADO acresce mais 4€. 4- ENVIOS Á COBRANÇA - ACRESCE MAIS 6€, Deste 6€ tem que pagar um sinal de 2€ antecipadamente, como forma de garantia de que realmente pretende o artigo, o restante valor paga só quando receber o artigo. Qualquer duvida mais disponha... ________________________________________________________________________________________________________________________________________________________ _ FPV HD Mini Ultra-Light 3g 520 Line Cable Camera for RC Model DIY Description: Ultra Light Mini wide voltage FPV camera, the belt machine shell is 3 grams, ultra wide voltage design, voltage can be applied to 5V-24V, so that you are no longer a power supply and a headache, classic 520 line HD Mini four axis fixed wing FPV aircraft aerial video camera viewfinder best this camera can let you easily fly enjoy HD visual feast! The photosensitive chip: single chip 1 / 3 CMOS System: PAL As the number of NTSC:656 (H) * 492 (V) of the PAL system: 786 (H) * 576 (V) Image signal processing: digital signal processing system The sensor size: 4.75mm (H) * 3.55mm (V) The horizontal resolution of 520 lines: Scanning system: 2:1 interlaced Sensitivity: 0.008Lux/F1.2 Lens and perspective: 0.5 mm F1.2/90 degrees The S / N ratio: 48dB Video output: 1.0V p-p/75ohm The size (length x width x height): 11.5 mm x11.5 mm 26mm Weight: 1 grams with shell 3 grams Working current: 75mA DC power requirements: 5v-24V Working temperature: -10 degrees C? 50, relative humidity is less than 90% Package include: 1 x FPV miniature camera 1 x AV video power line

Edição limitada a 275 unidades para todo o mundo. Absolutamente nova, afinada em luthier, com toda a documentação. Adquirida em 2013 em Londres, vendo ao preço a que comprei não estando interessado em qualquer proposta de troca - reforço potencial de valorização dada a exclusividade. Sugiro pesquisa no site oficial para descrição e detalhes, abaixo resumo. The Most Comfortable Les Paul EverLes Paul Custom Lite Les Paul Custom Lite When guitar star Les Paul and Gibson president Ted McCarty sat down at the start of the 1950s to design a revolutionary new solidbody electric guitar, they originally envisioned two versions of the Les Paul Model: a “standard,” which arrived first in the Goldtop of 1952, and a black Custom model with gold hardware, intended to be the crème de la crème. The 1954 Custom debuted with two single-coil pickups, but McCarty had already set Seth Lover and a team of Gibson designers the task of developing a revolutionary new humbucking pickup, which first hit the scene on the Les Paul Custom and Les Paul Goldtop in 1957. While the Les Paul Custom has always been a supremely elegant instrument—a “black tie” guitar for the formal crowd, as Les originally conceived it—many have come off the line over the years considerably heavier than the typical Les Paul Standard. The Les Paul Custom Lite, new from Gibson USA, redresses that disparity: made with a considerably thinner body and traditional weight relief, it lightens the load for a superbly playable Custom that still packs all the elegant looks and dual-humbucker tone that has made this Les Paul legendary. In crafting the Les Paul Custom Lite, Gibson USA starts with time-tested ingredients, including the legendary tonewood pairing of a carved maple top and genuine mahogany body, the latter treated with Gibson’s traditional weight relief to reduce the load and enhance resonance. The quarter-sawn mahogany neck is carved to a rounded ’50s profile and topped with a Grade-A, rosewood fingerboard with single-ply binding and classic acrylic block inlays. The body and headstock are trimmed in multi-ply binding, and the headstock carries an Acrylic Gibson logo and traditional acrylic split-diamond inlay. Dressed entirely in high-gloss Ebony Black, in genuine nitrocellulose lacquer, the Les Paul Custom Lite simply oozes class from every angle. The beauty of this gorgeous black Les Paul Custom Lite is more than skin deep, and Gibson USA has also packed added versatility into the traditional formula. Two of Gibson’s most popular humbucking pickups from the Modern Classics series offer all the tone that made the Les Paul legendary in the first place, plus added single-coil sounds thanks to the coil-splitting mini-toggle switch added in place of the second tone control. The 490R in the neck position is made with a genuine Alnico II magnet and wound with 42 AWG wire in the image of the original PAF humbuckers, for plenty of depth and warmth with impressive articulation. The 498T in the bridge position has an Alnico V magnet and extra turns of coil wire for added punch and growl. A traditional Tune-o-matic bridge and stopbar tailpiece enhance the sustain that has long made the Les Paul legendary, and a set of Grover™ keystone tuners—all in gold, as are the pickup covers and strap buttons—ensure a lifetime of smooth tunings. Check out the Les Paul Custom Lite today, from Gibson USA, and grab a more comfortable hunk of that classic elegance.

Kim Thayil from Soundgarden is running a Recto & Electra'Dyne in (((stereo))) with the current Soundgarden tour. MESA BOOGIE Electradyne 45 w / 90 watts reverb - 3 canais - O melhor dos 2 mundos: - Voicings british (Marshall Vox) e americanos (Fender) - combo 1x12" - Novo. Este não é um amplificador Mesa Boogie típico, apresentando-se acima de tudo como um amp possuidor de um clean punchy e tight na onda Twin Reverb + um canal bluesy + outro canal rock. Com mais vintage vibe do que os outros mais comuns Boogies atuais. Com um painel extremamente simplificado, este é um amplificador Mesa extremamente fácil de controlar e no entanto mantendo toda a versatilidade. - Revalvulado com Mesa Boogie, Electro Harmonix e JJ. - Mesa Boogie Electradyne 1x12" - 3 canais - guitar combo 1x 12" - Adjustable power rating 45 ou 90 watts - Spring reverb - All-valve, incluindo o reverb - serial effects loop - 4x EL 34 ou 6L6 & 7x 12AX7 valves - slave out, - double footswitch - Inclui footswitch original. - Chassi em alumínio. TROCAS: por guitarra Fender, Gibson, G&L (USA) ou amplificador Mesa Boogie Fender Orange 65 Amps ou Marshall. MODELOS: Lonestar Classic 1922 Les Paul Standard 1974 Stratocaster Telecaster Vibrolux Deluxe Pro Reverb Electradyne JCM 800 hand wired 1974. INFO.: a) Indique o seu email e comunique SEMPRE de forma clara avançando desde logo qual a sua proposta ou qual o material que tem para trocar já com os valores de acerto e a localização. Não é possível responder a contactos sem isto. b) Material como novo, pronto a tocar. Reviews: Mesa took some of the best things about British preamp design and stuck their own engine init, effectively making a great British-voiced amp with a huge, clean power section.

Para venda esta espectacular Epiphone SG PRO "1966" Ltd. Ed Não confundir com a Epiphone SG G-400 "normal", esta guitarra não tem nada a ver (apenas são parecidas) mas a qualidade da construção e especificações são bastante diferentes. A guitarra possui os pickups Alnico Classic PRO, humbuckers de elevada qualidade e potenciómetros com push/pull fazendo o coil tap transformando os humbuckers em single-coils. Funciona nos dois pickups, separadamente ou em conjunto. Além disso possui um pickguard "full-bat" como as Gibson SG em vez da metade apenas que existe nas normais. Afinadores Deluxe com um ratio de 18:1. Uma excelente guitarra por um grande preço. Sem mossas e apenas com os riscos normais de uso. Não tem case nem saco. Enviem v/ propostas. Serão todas consideradas e respondidas. Negócio de preferência presencial. Posso aceitar trocar por ESP, LTD, Ibanez, Gibson, Washburn, Fender, Suhr, PRS, Music Man, Caparison, Schecter, Jackson, Charvel, Kramer, Carvin, Cort, Godin, Epiphone, Dean, Hamer, Yamaha, Peavey, G&L, Mayones, Framus, Gretsch, B.C. Rich, Fernandes, Parker, Rickenbacker, Danelectro, Vintage, Taylor, Martin, Takamine, Ovation, Adamas, Alvarez, Ramirez, Alhambra, Eastwood, Tanglewood, Lakewood, Tokai, Yamaha, Hagstrom, Guild, Squier, Steinberger, Lag, Teisco, Maison, Aria, Harmony, National, Kent, Hofner, Hohner, Silvertone, Airline, Peerless, Baronet, Italia, Reverend, Guyatone, Music Man, Sterling, Simon&Patrick, Art&Luthiery, Seagull, La Patrie, Norman, APC, Paul Red Smith, Duesenberg, Maybach, Brian May, Sigma, Greco, Burny,Orville, Navigator, Edwards, History, Levison Blade, Samick, Vox, Marshall, Laney, Mesa Boogie, Orange, Line 6, Engl, Roland, Blackstar, Tech 21, Hiwatt, Ampeg, Randall, Bugera, Hughes & Kettner, DVMark, Boss, MXR, EMG, Seymour Duncan, Dimarzio.