Lasers sound effects

Made in Japan - Black label Pedal Compressor Sustainer por excelência de David Gilmour (Pink Floyd) Pedal anos 80... vintage!!! Completamente funcional de colecção Every guitar enthusiast knows how important it is to have a quality pedal, and the Boss CS-2 can help you bring your guitar tone to the next level. This Japanese-made compression sustainer guitar effects pedal will increase your performance abilities with its sound modulations. Level and sustain controls allow you to easily adjust your instrument's tone. For your convenience, the Boss CS2 features an AC adapter as well as the ability to utilize a 9V battery for a power supply. Adding to its value and versatility are the quarter-inch jack input and quarter-inch jack output connector. Manufactured in the 1980s, this Boss CS-2 compression sustainer offers impressive sound effects and portability.

Vendo mini amplificador de guitarra. Controle de: - Botão Gain da distorção - Botão Volume - Botão Tone Funciona com duas pilhas 1.5V AAA Saida para auscultadores jack 3.5mm -> pode ligar auscultadores para ouvir com phones -> pode ligar colunas de computador para ouvir alto Especificações do fabricante: Marca: Joyo - Power indicator 3 Controls: Gain (dist.) / Tone (treb.) / Volume Mp3 Input Jack: 3.5mm Earphone Input Jack: 3.5mm Sound Effects: Clean / Distortion Battery: 2 pieces of AAA 1.5V battery (Not Included) Material: Plastic Color: Black & Silver Product Dimensions (L x W x H): 88 x 76 x 27mm Net Weight: 42g Package Weight: 77g Posso vender junto palhetas de quitarra 1.2mm a 0,5€ cada.

Preço Fixo C/novo, não chegou a ter uso Features/Specification: 12 inch Speaker with Metal Front Grille 3 Band EQ (Bass/Middle/Treble) Compression Control for a smooth, punchy sound Effects Loop (Send/Return) Headphone input for silent practice Stereo Jack Input for CD/MP3 Player jamming to your favourite tracks Dimensions - H45.5cm x W49.5cm x D27.5cm Weight: 19.5kg

Edição Black Series oficialmente licenciada pelos estúdios Lucasfilm - exclusiva e limitada. Vendo ao preço a que comprei em Itália, sendo que é um artigo raro de colecionador, não estou interessado em qualquer tipo de troca. O Sabre está intocado, caixa, stand e documentação original. PRODUCT DESCRIPTION: Kids and fans alike can imagine the biggest battles and missions in the Star Wars saga with lightsabers from The Black Series! With exquisite features and decoration, this series embodies the quality and realism that Star Wars devotees love. Capture the power of the Jedi with the Rey (Jedi Training) Force FX Lightsaber from Star Wars The Black Series, modeled after Rey’s lightsaber from Star Wars: The Last Jedi. A true-to-story replica of Rey (Jedi Training)’s iconic blue lightsaber from Star Wars: The Last Jedi, this authentically-designed lightsaber is complemented by a real metal hilt and a clear display stand for ultimate collectability. Commemorate exciting scenes from Star Wars with this Rey (Jedi Training) Force FX Lightsaber and other incredible items from Star Wars The Black Series. Additional products each sold separately. Includes lightsaber, stand, and instructions. • Detailed Rey (Jedi Training) lightsaber from Star Wars: The Last Jedi • Authentic sound effects • Real metal hilt • Display stand Hilt length: 27.35 CM

Vendo mini amplificador de guitarra. Controle de: - Botão Gain da distorção - Botão Volume - Botão Tone Funciona com duas pilhas 1.5V AAA Saida para auscultadores jack 3.5mm -> pode ligar auscultadores para ouvir com phones -> pode ligar colunas de computador para ouvir alto Especificações do fabricante: Marca: Joyo - Power indicator 3 Controls: Gain (dist.) / Tone (treb.) / Volume Mp3 Input Jack: 3.5mm Earphone Input Jack: 3.5mm Sound Effects: Clean / Distortion Battery: 2 pieces of AAA 1.5V battery (Not Included) Material: Plastic Color: Black & Silver Product Dimensions (L x W x H): 88 x 76 x 27mm Net Weight: 42g Package Weight: 77g Posso vender junto palhetas de quitarra 1.2mm a 0,5EUR cada.

C/novo, não chegou a ter uso. Features/Specification: 12 inch Speaker with Metal Front Grille 3 Band EQ (Bass/Middle/Treble) Compression Control for a smooth, punchy sound Effects Loop (Send/Return) Headphone input for silent practice Stereo Jack Input for CD/MP3 Player jamming to your favourite tracks Dimensions - H45.5cm x W49.5cm x D27.5cm Weight: 19.5kg

Vendo caixa de ritmos - Rhythm Partner - DR-01S da Boss. - Virtual Percussionist - 24 voices polyphonic, - 50 memory slots for rhythm combinations, - Instruments: Shaker, Maracas, Bell, Whistle, Tambourine, Pandeiro, Claves, Cowbell, Triangle, Bongo, Hand clap, Paila, Conga, Cajon, Drums, - Metronomes, - Sound effects NOVO, não usado. Com factura e garantia

C/novo, no chegou a ter uso. Features/Specification: 12 inch Speaker with Metal Front Grille 3 Band EQ (Bass/Middle/Treble) Compression Control for a smooth, punchy sound Effects Loop (Send/Return) Headphone input for silent practice Stereo Jack Input for CD/MP3 Player jamming to your favourite tracks Dimensions - H45.5cm x W49.5cm x D27.5cm Weight: 19.5kg

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

Pedaleira de efeitos guitarra BOSS GT-6... A MELHOR?.... IMBATÍVEL !!!.... ROBUSTA, FIÁVEL, INTUITIVA com SOM NATURAL... Incredibly advanced COSM modeling engine. The Boss GT-6 Guitar Effects Processor gives you 30 amp models, plus COSM distortion/overdrive/wah pedal modeling. Includes effects such as Uni-V and De-Fretter, plus superb 24-bit sound quality. 340 effects programs give it more versatility than any pedal in its class and a customize function allows you to create your own tonal wrinkles. 15 analog-style knobs for editing commonly used parameters and an EZ Tone feature for quickly creating custom patches based on 30 templates. Uses built-in expression and control pedals to alter effects in real time. READ THE MANUAL...it is all in there if you have sound sense... This box is durable beyond my wildest expectation...Any curious guitar player needs to strongly consider this processor...try it out but better than that find someone who owns one and has tweeked it and play theirs...I do that for people all the time. I get calls frequently from local jammers asking me to come tweek out their rig...you cannot afford not to have this machine.

Amplificador de guitarra Line 6 Spider III 120Watts Aceito retoma The Line 6 Spider III 120 Guitar Combo delivers killer amp and effects models, and a ton of presets created by some of the world's most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more. Effects: A great amp isn't the only part of a great guitar sound. With Smart Control FX, an exclusive Line 6 feature that automatically dials in different effect parameters, you spend more time playing and less time tweaking. Simply find the effect that you want, turn the knob to your desired intensity, and you're done. You can even use multiple effects at the same if you wanna get really crazy. Effects Models (Up to 3 effects simultaneous) Phaser Chorus/Flanger Tremolo Sweep Echo Tape Echo Reverb FEATURES 12 Custom Amp Models from Clean to Insane 7 Smart Control FX (up to 3 simultaneous) including Tape Echo, Sweep Echo, Standard Delay (all with Tap Tempo) Chorus/Flanger, Phaser, Tremolo, and Reverb 250 artist-created presets 150 song-based presets Plus 36 user programmable presets Built-in front panel tuner 2 - 10" Custom Celestion® Speakers

Model: Performer 650 Manufacturer: Fender Musical Instruments Type: Guitar Amplifier Year: 1993-1995 Made USA Specs/Especificações: Power (Watts/Ohms) 70 Preamp Type - Solid State Speaker Configuration: 1 x 12" Effects: reverb Cabinet Covering Black Tolex Grille Color Silver Control Panel Face Color Black Knob Color Black Tube/solid state hybrid 2 channels (1 clean / 1 drive) 65 watts Reverb 12" speaker Footswitch to toggle channels and for the reverb UTILIZATION Easy setup Clean channel: 1 volume bass treble Drive channel: 1 gain, 1 volume, bass mid treble SOUNDS Clean channel is classic Fender: Very good clean sound, which doesn't crunch even at high volumes Drive channel: It distorts quite a bit right away, so you can't get a nice crunch The EQ has a big effect on the sound. OVERALL OPINION The sound level increases very fast, as is usually the case with Fender. So, you have either a VERY CLEAN or a very distorted sound... so the sound palette is "quite limited". This is not a defect... is a strong personality! Some advantages: The CLEAN sound, the reasonable weight, the apparent sturdiness. It is a VERY GOOD coupled with a pedalboard... Fender performer 650 amplificador guitarra híbrido Canal limpo transistorizado Canal de distorção valvulado

The Line 6 Spider III 120 Guitar Combo delivers killer amp and effects models, and a ton of presets created by some of the world's most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more. Effects: A great amp isn't the only part of a great guitar sound. With Smart Control FX, an exclusive Line 6 feature that automatically dials in different effect parameters, you spend more time playing and less time tweaking. Simply find the effect that you want, turn the knob to your desired intensity, and you're done. You can even use multiple effects at the same if you wanna get really crazy. Effects Models (Up to 3 effects simultaneous) Phaser Chorus/Flanger Tremolo Sweep Echo Tape Echo Reverb FEATURES 12 Custom Amp Models from Clean to Insane 7 Smart Control FX (up to 3 simultaneous) including Tape Echo, Sweep Echo, Standard Delay (all with Tap Tempo) Chorus/Flanger, Phaser, Tremolo, and Reverb 250 artist-created presets 150 song-based presets Plus 36 user programmable presets Built-in front panel tuner 2 - 10" Custom Celestion® Speakers

Pedaleira de efeitos Boss ME-50 Guitar Multiple Effects The ME-50 Guitar Multiple Effects is a floor-based multi-effects processor built with the ruggedness and simplicity of a stompbox. Designed to work with your amplifier, the ME-50 focuses on killer multi-effects (like COSM overdrive and distortion) rather than amp modeling. And dialing in your tone is easy, thanks to dedicated knobs for each effect section, three footswitches and a built-in expression pedal. So if you want great-sounding effects without all the menu surfing, the ME-50 is everything you need. Floor-based multi-effects processor with BOSS' most intuitive interface ever 30 Preset Patches including delay, modulation, reverb, compressor and more Killer COSM overdrive/distortion effects including "Square" synth sound Dedicated knobs for each effect section - no menus to navigate! Tone Modify function offers Preset EQ settings for quick tone editing 3 footswitches for switching effects on and off with a single stomp Onboard expression pedal pre-routed to 6 modulation options or volume Rugged metal case with clear panel layout

Alesis Módulo de bateria DM4 em Óptimo estado de conservação e funcionamento!!! The D4 was an affordable and fully professional Drum and Percussion sound module. It featured 500 drums sounds, sampled at 48kHz and stored on an internal ROM chip. The sounds cover the whole gamut, from great acoustic drum types to electronic drum sounds. Orchestral and ethnic percussion sounds and various percussive effects are also available. There are 21 programmable drum kits as well. And the D4 has full 16-channel MIDI implementation. The D4 has 12 trigger inputs allowing drummers to trigger its sounds from acoustic or MIDI pads. Engineers and musicians can also trigger drum sounds from the D4 using the trigger inputs and any external sound sources from tape or other studio gear. A hi-hat pedal jack allows use of a footswitch to create more realistic hi-hat effects. There are also 4 independent outputs for either 4 mono outs or 2 stereo outs. The D4's only limitation, is editing. Drum sounds can only have their tuning, panning and respective volumes edited. However, drums can be assigned to special groups so that special drum characteristics can be created such as closed hihats cutting off open hihat sounds, etc. The D4 has been used by ATB.