Juwel filter pad

Vendo interface audio Digidesign DigiRack 003+ com 8 entradas com prés de óptima qualidade. Cada canal possui, além do controle de ganho, switches para phantom power, low pass filter, pad de 20dB, todos com activação independente para cada canal. Possui ainda MIDI In/Out, 8 canais de ADAT para expansão de I/O com módulos externos, dois canais de SPDIF In/Out e 8 saídas line para ligação a monitorização externa. Utiliza interface Firewire e incluo o conversor da Apple de Firewire para Thunderbolt caso o comprador use um Mac recente sem porta Firewire. Posso atestar do bom funcionamento em Mac deste setup. Incluo ainda o software ProTools 8LE com os plugins de fábrica acrescidos do seguinte pack: Bomb Factory Fairchild Bundle Bomb Factory Classic Compressors Bomb Factory BF-3A Bomb Factory Voce Bundle Bomb Factory Moogerfooger Bundle Tel-Ray Variable Delay SoundReplacer TL EveryPhase Cosmonaut Voice Joe Meek SC2 Compressor JoeMeek VC5 Meequalize Não tenho interesse em qualquer tipo de trocas.

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

Vendo interface firewire Saffire Pro 26 da Focusrite em estado absolutamente imaculado com apenas alguns meses de uso. Completo com acessorios de origem e caixa. Faço envios para o continente após pagamento. Não aceito e não respondo a trocas. Adiciono uma placa firewire pci-e com chipset Texas Instruments por mais 20 euros. Obrigado Interface da gama Motu, Rme, Roland, Universal Audio, Behringer, etc Specifications Front Panel Saffire PRO 26 Front Panel 2 x Line/Instrument inputs (line inputs also available on rear panel) 2 x Headphone outputs with independent volume controls Main monitor volume control with dim and mute switches 6 x 5-segment LED input metering 2 x 8dB pad switches on inputs 1 & 2 2 x line/instrument switches on inputs 1 & 2 2 x Phantom power switches (1-2) & (3-4) 4 x gain knobs for preamp gain Rear Panel Saffire PRO 26 Rear Panel 2 x XLR microphone inputs 2 x Combi XLR/TRS Mic/line inputs 2 x Additional Line inputs 6 x balanced TRS outputs S/PDIF I/O ADAT input FireWire 400 port Power supply input What comes in the box? Saffire PRO 26 Power supply Getting started guide Software bundle code card FireWire 400 - 800 cable Digital Performance A-D Dynamic Range: 109 dB A-weighted (all inputs) D-A Dynamic Range: 109 dB A-weighted (line outputs) Supported Sample Rates: 44.1kHz, 48 kHz, 88.2 kHz, 96 kHz Microphone Inputs Frequency Response: 20Hz - 20kHz +/- 0.1 dB THD + N: Noise (NiPoS): 90 dBFS (22Hz/22kHz bandpass filter) Maximum Input Level: +8 dBu at 1% (A-weighted) Line Inputs Frequency Response: 20Hz - 20kHz +/- 0.1dB THD + N: Noise (NiPoS): 90dBFS (22Hz/22kHz bandpass filter) Maximum Input Level: 28.5 dBu at 1% (A-weighted) Instrument Inputs Frequency Response: 20Hz-20kHz +/- 0.1dB THD + N: -1 dBFS, min gain, no pad 0.0015% Maximum Input Level: +8dBu (min gain, without pad) Headphone Outputs Frequency Response: 20Hz-20kHz +/- 0.1 dB Maximum Output into 32R: +12.4 dBu (+10.2 dBV) Power into 32R: 250mW Output Impedance: Load Impedance: > 24 Ohms Line Level Outputs THD + N: Maximum Output Level (0dBFS): 15.7 dBu at 0.883% (A-weighted) Additional Conversion Performance Clock Jitter: THD + N AMPL: -109 dBFS (A-weighted) Other I/O 1 x FireWire 400 Socket 2 x Standard 5-Pin DIN MIDI Connectors Weights and Dimensions Weight: 2.98kg Height: 45mm Width: 320mm Depth: 195mm Firewire 18-in/8-out audio interface with four Focusrite mic preamps Focusrite’s Saffire range of Firewire audio interfaces underlines the fundamental features that distinguish the sound quality of Focusrite interfaces from the rest and make them class leaders: superb analogue/digital conversion quality, thanks to painstaking attention to detail in component choice and circuit design and Focusrite’s award-winning mic preamps, designed specially designed for our computer interface ranges with experience going back 30 years, to deliver clean, transparent sound with minimal noise and distortion. Click here to learn more about the keys to Focusrite interface superiority. Saffire interfaces are compatible with any DAW on Macintosh or Windows, and with the included Red 2 and Red 3 AAX plugins, make a perfect partner for Pro Tools. Saffire PRO 26 is an 18-in, 8-out 24-bit/96kHz Firewire interface designed with the professional user in mind. Its four award-winning Focusrite preamps along with the latest in A-D/D-A conversion technology combine with the powerful Saffire Mix Control software to deliver professional sound quality, flexible routing options and rock-solid reliability. Saffire PRO 26 is ideal for both recording and live applications.

Impecável, uso apenas em estúdio. Com caixa. 40 horas de uso no máximo. Solid-State Channel Strip, Class-A hybrid input stage with discrete transistors, 48V Phantom Power switchable, 80 Hz High Pass Filter, 20 dB pad and Phase switchable, FET based compressor, -band semi-parametric equalizer with Shelf/Peak-Switch, Hard-Bypass Switch for Compressor and EQ, VU-Meter, balanced Insert Send/Return (TRS), balanced Output XLR- and TRS https://www.presonus.com/products/rc-500

Nunca foi tão fácil, nem tão intuitivo atacar os decks - mesmo para os DJs principiantes. Para além de estar equipado com todas as funcionalidades populares do DDJ-SB – como o Filter Fade e Painéis táteis de atuação – também possui outras funcionalidades que normalmente não se encontram neste nível de preço, incluindo trim pots, sonómetros, o efeito de batida Pad Trans e controlo de 4 decks

Se procura um microfone de estúdio de baixo custo, de alta qualidade, a marca Studio Projects é a indicada. O Studio Projects C1 é um microfone de condensador fixo-cardioide de diafragma grande que usa uma cápsula de 1,06 "(27mm), amplificador de alta qualidade e baixo nível de ruído e circuitos de saída balanceados e sem transformadores. Possui switchable -10dB ou -20dB pad e 6dB 75Hz ou 150Hz high pass filter para controle adicional em várias aplicações de gravação e uma resposta clara e completa esperada de um design de microfone de grande cápsula. A versatilidade é fundamental no campo de gravação, e o Studio Projects C1 é uma ferramenta bem comprovada e premiada. Foi projetado para oferecer as gravações vocais e instrumentais de melhor qualidade e servirá para aprimorar qualquer estúdio profissional ou de projeto a um preço incrivelmente baixo. Com este micro foram gravados os dois discos de Thomas Anahory: "So Much Of Me" e "Thank Your Lucky Stars" - Na captação de vozes e guitarras. Microfone 100% funcional, apenas com marcas exteriores de uso temporal. Mala para guardar Micro incluída

The dbx 386 Dual Vacuum Tube Preamp is a two-channel tube microphone preamp featuring selectable sample rates and digital outputs. The dbx 386 Tube Preamp combines the best of both worlds into an affordable, rack-mountable unit. The 386 Vacuum Tube Preamp includes a 1/4-inch front-panel instrument input as well as built-in +48V Phantom Power for capturing studio-grade vocal recordings. The high sample rates ranging up to 96kHz ensure you capture every nuance from your source material for exceptional audio fidelity. The unit also includes a 20dB pad, 75Hz low cut filter, phase reverse switch and precision segment LED analog digital meters.

AUDIENT ID44 interface áudio USB 20 IN / 24 OUT 4 preamps de microfone / entradas de linha em fichas combi XLR/TRS com switches independentes para +48V, pad e hi pass filter por canal. 2 inserts em send/return TRS. Permitem fazer bypass aos prés e entrar directo no conversor, para utilizar prés ou processamento externo. 2 entradas de instrumento D.I. JFET 4 saídas de linha 2 saídas de headphones com controlo independente 16 entradas e 16 saídas digitais por ADAT Wordclock (saída BNC) Controlador de escuta incorporado, com botões de mute, dim, botões programáveis que podem funcionar como selector de saídas para comutar entre monitores, mistura mono e função de talkback. Inclui os cabos usb originais (1 cabo USB-C/USB-C + 1 cabo USB-C/USB-A) Caixa original com adaptadores de corrente e manual Comprada nova em Setembro de 2018. Em Setembro de 2019 levou peças novas na garantia, para resolver problemas nas saídas 3 e 4. Está, agora, como nova. Vendo para financiar uma interface com mais saídas analógicas. Entrego em mão em Vila Real e envio por CTT com portes a cargo do comprador.