Eq low

Pedal Equalizador para Baixo. Em perfeitas condições. Ideal para alternar entre diferentes tipos de som ex: secções com slap, low cut, hight cut, ou pode ser usado com um Booster ou Mute.

Mesa de Mistura Magnífica em segunda mão, estado impecável, todos os canais e botões a funcionar em perfeitas condições. Estamos a vender apenas porque necessitamos de mais canais. Descrição: Na sua terceira encarnação, a Série MG é o reflexo perfeito desta busca de excelência da Yamaha - incorporando algumas das tecnologias originalmente desenvolvidas para utilização em mesas profissionais de topo de gama (pré-amplificadores de microfone de qualidade de estúdio, efeitos digitais integrados) e uma construção sólida e fiável. Com um painel intuitivo e fácil de usar, a Série MG da Yamaha oferece uma vasta escolha de mesas de mistura compactas, variando de 6 até 20 canais, que permite adequarem-se a uma enorme variedade de utilizadores e aplicações. Tal e visite egitana.pt qual como os modelos XU, os modelos X incluem efeitos SPX. Além disso podem ter uma vasta gama de utilizações como conferências, casamentos, música ao vivo, etc. As novas cores, mais discretas em cinzentos cheios de estilo, melhoram também o aspeto visual. A Yamaha MG-12XU é mesa de mistura de 12 canais de faders, com efeitos, compressor, ligação USB. - 1 Processadores incorporados: Algoritmo SPX: 24 programas, controlo de PARAMETER 1; FOOT SW 1 (on/off de FX RTN CH) - 2 Phantom power: + 48 V - 3 Inputs digitais: entrada compatível USB Audio Class 2.0; Frequência de amostragem Máx 192kHz, Bit Depth 24-bit - 4 Input: Mono [Mic/Line] 4; Mono/Stereo [Mic/Line] 2; Stereo [Line] 2 - 5 Output: Stereo Out 2; Monitor Out 1; Phones 1; Aux Send 2; Group Out 2 - PAD: 26 dB (Mono); - HPF: 80 Hz, 12 dB/oitava (Mono/Stereo, só no mic); - COMP: Compressor de 1 Knob, Threshold - compre na egitana.pt +22dBu a -8dBu, Ratio 1:1 a 4:1, Nível de saída o dB a 7 dB, Tempo de ataque ~25ms, Tempo de release ~300ms; - EQ HIGH: Ganho - 15 dB, Frequência 10kHz (shelving) - EQ MID: Ganho - 15 dB, Frequência 2.5kHz (pico de Fc) - EQ LOW: Ganho - 15 dB, Frequência: 100Hz (shelving) - PEAK LED: LED liga-se quando, no POS-EQ, o sinal atinge os 3 dB antes visite egitana.pt de saturar - Medidor de nível: 2 x 12 segmentos de LED [PEAK, +10, +6, +3, 0, -3, -10, -15, -20, -25, -30 dB] - Dimensões (L x A x P): 308 x 118 x 422 mm - Peso: 4.2 kg

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

*Levantamento na Av. Duque de Loulé 45A, em Lisboa *Envio a todo o país via CTT por 5EUR. Tenho mais artigos à venda, veja mais no link "Anúncios publicados" A DOD introduziu o FX86B Death Metal Distortion em 1998, como atualização do FX86 de 1994. Embora o seu circuito tenha sido atualizado, houve pouca diferença entre as duas versões manteve-se o mesmo conceito inicial Death Metal. Projetado para uso com guitarra ou baixo, o FX86 possui um acabamento em preto sólido com Blood red splatter, digno de seu nome. A idéia central do pedal DOD FX86 foi única entre os pedais de distorção, pois apresentava três bandas de equalização, mas sem controle de distorção, resultando em uma paleta de sons sempre distorcidos (mas perfeita para o metal extremo). Equipado com dois IC Chips JRC 4560D op-amps. ESPECIFICAÇÕES: *R.I.P. (Level) *Guts (Low eq) *Pain (Mid eq) *Scream (High eq) *Fonte alimentação AC 9V (não incluído) ou simples bateria 9V Com o DOD FX86B Death Metal é possível criar uma parede de distorção, perfeita para a destruição total. O FX86 emula os sons death metal e grindcore de bandas como Napalm Death, Carcaça, Brutal Truth, Pungent Stench entre outros. O controle RIP (LEVEL) permite a destruição em qualquer volume de amplificador, porque não há controle de distorção, tudo está sempre no máximo!

Estado Nova (nunca foi usada - projecto não arrancou) A Mesa de som Mackie ProFX12v2 de 12 canais possui pré-amplificadores de alto nível, efeitos integrados, saída USB e é ideal para uma infinidade de aplicações de som ao vivo que vão como bandas, DJs, professores e apresentadores. A qualidade Mackie está em cada detalhe, e na segunda versão a parte de efeitos e knobs foi toda melhorada. Com 6 XLR entradas de microfone com baixo ruído pré-amplificadores Vita microfone, por canal EQ de 3 bandas, 1 aux send e uma FX fora para a alimentação processadores externos, o ProFX12v2 oferece recursos profissionais para atender a uma grande variedade de configurações. CARACTERÍSTICAS GERAIS - Mixer 12 canais - 6 pré amplificadores - 4 entradas mono e 4 pares estéreo (2 Híbridos) - Phantom Power 48V em todos os canais mic - 12 Entradas de linha high-headroom - 2 Aux send (FX), level, pan em cada canal - Faixa de ganho +50dB- Entradas estéreo RCA tape I/O com controle de volume - Entrada Hi-Z para conexão direta de instrumentos como guitarra e baixo - Saída para fones de ouvido com controle de volume rotativo separado - 32-bit RMFXT processador com 16 efeitos - Insert, 100Hz low cut filter nos canais mic - 4 canais estéreo com retorno estéreo extra para teclados, efeitos externos e aparelhos de áudio estéreo - Saídas Main XLR e 1/434 balanceadas/desbalanceadas - EQ ativo 3-bandas (80Hz, 2.5kHz e 12kHz) - EQ gráfico 7-bandas (Main e Monitores) - Interface USB para gravação estéreo ou playback via computador Mac ou PC - Resposta de frequência 20 Hz - 30 kHz (Entrada Mic para qualquer saída, ganho em unidade) +0 dB/-1 dB - Mute FX com possibilidade de controle remoto via footswitch (não incluso) - Faders 60mm nos canais de entrada, retornos e saídas master Main/Monitor - Botão Break para mutar todos os canais de uma só vez - Chassi robusto de aço 34Construído Como Um Tanque34 - Abas em ABS - Software de produção musical Tracktion 3T para Mac e PC (Licença para download) - Fonte de alimentação interna universal para uso no mundo todo- Alimentação: Universal 100~240 VAC 50/60Hz (cabo AC destacável) - Potência de consumo 25W - Peso: 4,1 kg- Dimensões (L x P x A): 37 x 35,7 x 9,1 cm.

Amplificador Swr Workingman 4004 com 400W Pode ser vendido em separado. Não aceito trocas. Coluna 4x10 COLUNA SWR Workingman Pro 4x10 de 400 wts RMS a 8 ohms com tweeter central com atenuador e crossover interno. Input in, input out. Com Rodas Compressor Behringer MDX2600 Composer Pro XL Compressor de excelente qualidade com 2 canais que funcionam independentemente ou em parelha. Está colocado na rack da cabeça. Todo o material em bom estado, alguns concertos, maioritariamente sala de ensaio. Todo a funcionar impecavelmente, podem vir ver e experimentar sem qualquer problema. Características da coluna: Steel Chassis enclosed in carpeted rack Stack Lock Corners and strap handle Single Open Rack Space for effects unit of your choice Discrete solid-state front end Balanced XLR Output Stereo Headphone Jack Tuner Out Hi and low sensitivity 1/4 in. inputs Gain control with LED peak clipping indicator Aural Enhancer Control 5-band EQ section 80 Hz (Bass) 160 Hz (Low Mid) 400 Hz (Mid) 800 Hz (Hi Mid) 3KHz (Treble) Variable Limiter Speaker on/off switch Effects Blend Control Headphone Jack Side-chain effects loop (2) 1/4 in. Speaker Outputs

Mesa de mistura Alesis Multimix 8 FW. Em perfeito estado, sem qualquer marca de uso. Raramente saiu de casa. Sem qualquer tipo de ruído. Permite a gravação para computador via Firewire de cada canal independente e/ou da mistura final. Cabo Firewire e transformador de alimentação incluído. Qualquer questão, disponha. Negócio em mãos na zona de Sintra, Mafra ou Lisboa. Envio por CTT após Transferência Bancária. Portes a cargo do comprador. - 8–channel mixer featuring next–generation DICE II FireWire technology, low–noise analog electronics, 100 studio–grade 28–bit digital effects, and rock–solid construction - Compact, affordable 8–channel analog mixer and multi–channel FireWire audio computer interface - 10 direct outputs for recording and 2 return inputs for monitoring - 4 high–gain mic/line (XLR and 1/4” balanced) inputs with phantom power, 2 stereo balanced 1/4” line inputs, aux send (can send to onboard or external effects), stereo aux return - Switchable 75Hz high pass filters 100 28–bit onboard preset effects including reverbs, delays, chorus, flanging, pitch and multi–effects - 3–band EQ per channel with high/low shelving and mid band pass/reject - Separate 1/4” balanced main and monitor outs, headphone out - 24–bit, 44.1/48 kHz operation with high–end A/D and D/A conversion through integrated FireWire audio interface using next–generation Dice II FireWire chip - Mac OS X, Windows XP or Vista compatible

Pedal de distorção para guitarra, ideal para sons de Metal. Tem um som brutal. Está como novo, apenas usado em casa. Inclui caixa original e todos os manuais. Funciona com pilha ou transformador de 9V - ambos não incluídos. The Boss MT-2 Metal Zone Effects Pedal offers precision control over tone. Dual-gain circuits scream with super-long sustain and seething distortion. A 3-band EQ includes High/Low shelving knobs plus a midband parametric EQ. The Boss MT-2 Metal Zone Effects Pedal has separate Level and Distortion knobs to put just the right amount of edge on your signal.

O Pedal encontra-se como novo ainda com caixa original e respectivos manuais e tudo o lá vem dentro... Descrição do Pedal: Based on the classic Wampler Pedal “Plexi-Drive”, the Plexi-Drive Deluxe builds on the foundation of the original and gives you considerably more control to shape your tone. With a 3 band active EQ and additional brightness control, the Plexi-Drive Deluxe takes a huge step forward into the modern era of pedals. Complete with the perfectly voiced pregain booster, you can achieve almost any Plexi tone from virtually any amp. Since the early 60’s, Marshall Amplifiers® have lead the way in rock tones with its legendary tight overdrive and coveted bass response. Early rock legends such as: Jimi Hendrix, Led Zeppelin, Cream, and AC/DC helped lead the way in creating some of the most iconic rock tones ever produced and catapulted Marshall® into rock legendary status. The Plexi-Drive Deluxe is a direct descendent of the Plexi-Drive Standard but with a few upgraded features. Like the original, the Plexi-Drive Deluxe’s unique gain structure can cover everything from Vintage ’68 style Plexi tones to the all out massive rock tones of a JTM-45® cranked to ten, or even eleven. With the addition of an all-new active 3 band Bass/Mids/Treble EQ stack – you can now have even more tonal control. With the bass boost option, you can emulate the feeling of the low-end thump of a 4×12” cabinet (or two) at the flick of a switch and can allow you to dial in your low end at lower volume gigs or at bedroom volume levels. To compliment this, we also added a bright switch to add high end sparkle – which makes changing from bright to dark guitars (and amps) a breeze. The Plexi-Drive Deluxe also features a one knob, pre-gain boost soft click switch that is voiced like “that ‘valve’ screaming green overdrive with pronounced mids” – to help push your leads into thick creamy overdrive. The Plexi-Drive Deluxe will fill your Marshall® void and give you the crunch, response, boost and feeling that your rig begs for. Whether you are playing sold out shows or rocking out by yourself – the Plexi-Drive Deluxe will take your tone and allow you to create your own flavor of rock! Your search for the perfect versatile M.I.A.B. (Marshall® in a Box) can finally be over. - See more at: https://wamplerpedals.com/plexi-drive-deluxe#sthash.95MhEz4K.dpuf

Amplificador de guitarra Roland Cube 60 Chorus Vintage "An excellent clean sound solid-state amp" Its clean sound very round and soft, not aggressive at all even with trebles cranked up, and thats the amps main asset. The 12 speaker certainly has a role in it too. Overdriven sound is OK and mostly affects the low and mid-low frequencies, not so much on trebles. I use it as a mid boost essentially on song choruses that need slightly more punch. Spring reverb is efficient with a rather trebly tone 3-band EQ Chorus effect is efficient and musical-sounding, but no settings are included its either ON of OFF ! Additional output: reverb + chorus. I guess you can get this out to an external mixer for separate EQ/mixing from the preamp out (havent tried it though). Note: with a homemade controller (on off switches), the reverb, chorus and overdrive can be foot-controlled.

Amplificador de baixo Peavey Microbass Bass enclosure providing 20 watts from a 8 inch "Blue Marvel" speaker. Peavey's DDT speaker protection. 3 band graphic EQ. Carrying handle. Ideal for use as a practice amp. Features - 20 Watts RMS - DDT compression - 8 inch speaker - Gain control - Low, mid, high EQ controls - Headphone jack

Guitarra de 2004, fabricada na Korea, de aspecto irrepreensível (no que respeita ao tratamento e cuidado das suas madeiras de alta categoria) e com um som de ótima qualidade (quer a nível acústico, quer a nivel de linha). Além do mais, sofreu alterações luthier no que respeita ao cavalete, trastes, pestana (em osso) e afinação (total) o que não só melhora as suas características base como a torna num modelo único. Todavia, tem um defeito no mecanismo da bateria para pré-amplificador (no encaixe), que não afecta em nada nem o som, nem Eq. Descrição geral: Model Name: CE 36 (similar a CE 15) Body Style: Classic Back and sides: Dao Neck: Mahogany Fingerboard and Bridge: Rosewood Electronics: Preamp and bridge microphone Shadow (Volume / Sub-bass / Bass / Mid / Treb / Pres / Low battery light).

Vendo esta mesa sem uso ainda dentro dos plásticos. Tenho-a há algum tempo porque seria para um projecto mas que não foi precisa na altura e daí estar a vender. Entrego em mãos no porto ou gaia Desc.  Multipurpose 3-channel mixer with USB audio interface.  Flexible LOOPBACK feature - perfect for live recording or webcasting.  High resolution (24-bit192kHz) 2-track audio recording and playback.  "D-PRE" studio quality mic preamps with high gain and low noise.  Easy control and pro sound with 1-TOUCH COMP/EQ, EFFECT processing.  +48V phantom power on CH1 input for condenser mics and Dl boxes.  Hi-Z input for guitars on CH2.  iPad (2 or later) connectivity via Apple iPad Camera Connection Kit (requires external USB power supply).  USB buspowered for Mac & PC.  Rugged metal chassis.  Includes Cubase Al downloadable version

Preço em loja 1200. Som incrível. Inclui footswitch. Preamp: 4 channels: Clean, Crunch, Lead, heavy Lead, Bright switch, 3 band EQ, Contour switch, Hi/Low Gain switch, Lead Presence Control. 3 x ECC 83 preamp tubes. Master Section: Master A/B, 100 watts (1 x ECC 83, 4 x 5881 power amp tubes) Outputs: Speaker Outs, (2 x 4, 2 x 8, 1 x 16 Ohms) fx loop (parallel to serial adjustable), footswitch jacks, Z-3/Z-4 or custom Z-5. Dimensions & Weight: 71 x 27 x 27 cm, 20 kg Não aceito trocas!!!

Revisão feita recentemente, a funcionar a 100%, com algumas marcas de uso. Características: Power: 120W (tube) Válvulas: Cinco 12AX7 (preamp); quatro 6L6, com possibilidade de alterar para EL34 (power amp) Dois canais Dois inputs: high gain; low gain Controlos: 3-band EQ, presence, crunch, gain, volume, reverb FX loop Impedance: 4, 8, 16 ohm Footswitch incluído

*Levantamento na Av. Duque de Loulé 45A, em Lisboa Tenho mais artigos à venda, veja mais no link "Anúncios publicados" Marshall JCM900 Combo Model 4502 Conhecida por seu tom potente e confiabilidade, a linha JCM900 reuniu uma legião de fãs em todo o mundo. O JCM900 Combo model 4502 é um amplificador totalmente à válvulas com 50 watts de potência e grande fidelidade na resposta das frequências. Consegue ser bastante limpo em níveis mais baixos de volume e quando o volume é aumentado, ele ganha grande potência com timbre quente e rasgado. Seu canal "A" foi projectado para fornecer um som extremamente limpo quando o controle de ganho é ajustado em níveis baixos, e que vai se tornando progressivamente mais saturado quando o ganho é ajustado em níveis mais altos. O canal "B" segue além, graças ao uso correto dos controles Gain e EQ que permitem obter o tom perfeito para qualquer linha de solo, da suavidade à saturação mais pesada. Um loop de efeitos em série com controles de nível permite conectar tanto pedais de efeitos de chão quanto de rack. Qualquer que seja o seu estilo, o Model 4502 lhe dará flexibilidade tonal sem fazer concessões. ESPECIFICAÇÕES: *Potência (RMS): 50 watts *Canais: 2 *Impedância: 8, 4 e 16 Ohms *Speakers: 2 Celestion GT12 -75 *Controles: Presence, bass, middle, treble, 2 gain preamp, 2 masters e 2 de reverb *Válvulas de preamp: 2 x ECC83/ 12AX7 *Válvulas de potência: 1 x ECC83/ 12AX7, 2 x 5881 *Loop de efeitos: 1 *Power output switch: High / Low Gain *Entrada para footswitch opcional

Vendo Kawai Stage Piano MP4, sempre utilizado em casa. O Kawai mp4 tem um sampler de piano de cauda único,bem como samplers de dezenas de outros instrumentos. Caso esteja interessado neste fantástico Piano, não hesite, tentaremos chegar a um compromisso. Especificações: 88 keys with Advanced Hammer Action IV action; 4 MIDI zones; 16 MIDI channels; 96 voice polyphony; 64 sounds; 64 user programmable setups; 20 effects and 7 reverbs; 4-band digital EQ; Metronome; Stereo and dual mono outputs; High and low LED brightness levels; Piano-only button; Individual sliders for zone level; 4 assignable knobs; Pitch bend/modulation wheel; 16-character x 2-line backlit LCD; Headphone jack; 1/4" L/MONO,R output jacks; Damper and soft pedal jacks; Assignable FSW jack; Assignable EXP jack; MIDI I/O/Thru; USB port; Comes with music rack and damper pedal; 53-3/8"W x 6-3/4"H x 13-1/3"D

Para venda/troca amplificador Engl E650 Richie Blackmore signature 100w revisto á 1 ano e com pouco uso. Apresenta algumas marcas no tolex, mas a funcionar na perfeição. Não inclui footswitch Specifications Preamp: 4 channels: Clean, Crunch, Lead, heavy Lead, Bright switch, 3 band EQ, Contour switch, Hi/Low Gain switch, Lead Presence Control. 3 x ECC 83 preamp tubes. Master Section: Master A/B, 100 watts (1 x ECC 83, 4 x 5881 power amp tubes) Outputs: Speaker Outs, (2 x 4, 2 x 8, 1 x 16 Ohms) fx loop (parallel to serial adjustable), footswitch jacks, Z-3/Z-4 or custom Z-5. Dimensions & Weight: 71 x 27 x 27 cm, 20 kg

30 Channel Mixer entradas 24 de microfone / 24 entradas Jack canais 4 estéreo efeitos integrado processador com 16 efeitos de 7 bandas equalizador gráfico para a saída principal ou um monitor de Built-in interface USB para gravação e reprodução 4 Aux saídas 4 Subgrupos Compressor 3-Band EQ para todos canais: 80 Hz, 2,5 kHz e 12 kHz 100 Hz Low Cut filtro de 60 milímetros Fader para os canais de entrada, retorno e mestres 48 V Fantasma poder Headphone conector USB Connector conector para pedal incl. software de gravação VEJA OS NOSSOS OUTROS ARTIGOS

AC 22S Active Crossover Stereo 2-Way, or Mono 3-Way Linkwitz-Riley Alignment with 24 dB per Octave Slopes Adjustable Driver Alignment Delays Infrasonic, Ultrasonic and RFI Filters Low Output Muting (2-Way) Mono Sub Output Option Constant-Directivity Horn EQ Option Input & Output Level Controls Fully Active Balanced XLR Inputs & Outputs Internal Universal Power Supply (100-240 VAC)

Great sounding amp, everything works perfectly. This is a very rare amplifier that was only made for 1-2 years in the late 70's jmp era and was also know as the rock 'n' roll baby. This 2150 combo is the same circuit as the holly grail of marshalls the 4 hole 1959 slp super lead head in combo form. The only differences being a few differences in cap/resistor values and the very useful master volume (so you don't need and attenuator to get some gain). The stock speaker was replaces as it was crap, it now has a well broken in Celestion G12b-150 which is a good match as it has lots of bass and tames the trebles nicely. Cosmetically there is a tear on the cloth, a few scuffs on the tolex and some of the text has wore off the control panel but for its age its in great condition (no rust like a lot of these amps seem to have). It has been used lots and toured with, has always been reliable. Has just been serviced and had new matched set of JJ EL34 output valves, all new electrolytic capacitors, two new input jacks as the others were kaput. Very clean inside with all original transformers, resisters etc, no hum and working very well. It has the 70's standard 4 inputs, 2 dark sounding, 2 bright and a high and a low for each. The channels can be jumpered of course. Each Channel has its own gain dial, there is a full eq section of treble, middle, bass, presence and a master volume. On the back there is a speaker output ohm selector, a voltage selector and 2 speaker jacks which can be connected to a 4x12 which sounds great

Guitarra Acústica com Amplificação. Cor: /"Blue Sunburst/" /"The Suzuki Mississippi Delta is a Round Bodied steel guitar with cutaway. A design reminiscent of Gypsy Jazz instruments popular in Europe and the pioneering electro acoustics from the USA in the 40s. The comfortable, well proportioned spruce and Mahogany body coupled with an interesting oval soundhole set this guitar apart from others. It benefits from a clear tone when played acoustically, however the Mississippi Delta comes into its own when amplified via the on-board pickup and 5 band E.Q. The body and soundhole design mean low feedback and strength of sound delivery through a PA system. This is very much for the live guitarist or for the musician searching for a unique sound and look all of their own./" Round Body Semi Acoustic (also available in /'Natural/' Finish) Top: Spruce Back: Mahogany Sides: Mahogany Neck: Mahogany Fingerboard: Rosewood Bridge: Rosewood Binding: White Multi ABS Pick Guard: Black Finish: Sunburst Pickup: Active Acoustic Electric Electronics: 4 band EQ Finish: Natural. & Blue Sunburst Frets: 20 Preço Nova em Libras: 299£

Estado: usado como novo (sem caixa e carregador) (Algumas marcas no switch e pouco mais) 100% funcional Principais características: (Inglês) Very low noise Linear signal buffering Soft compression Controller for comp / EQ / volume True bypass Operation either with 9V battery or 9V DC power supply (both not included) Condições de venda: 1 - Entrega em mãos no Porto (zona da Boavista) ou Gaia. Local, dia e hora a combinar, pelo valor descriminado no negócio 2 Pagamento antecipado via transferência bancária do valor do artigo mais portes de envio via ctt registado no valor de EUR 3.35

Material usado mas em bom estado. Negociável. Peça mais fotos e info por mensagem. Não envio. Contrabaixo 3/4 Suraba: 600EUR Ano 2000. Tampo em madeira maciça. Fundo e ilhargas em laminado. Cordas sintéticas da marca Gut-a-like. Cavalete com ajustadores de altura. Oferta Pick up The Realist por David Gage. Oferta Arco francês. Muito leve e incrivelmente fácil de tocar. Carro de mão desdobrável: 20EUR 2 Tripés de colunas full range: 20EUR Com saco próprio do conjunto. 3 tripes de microfone: 20EUR Conjunto de vários cabos microfone/instrumento varios terminais xlr, jack, rca em duas caixas de plástico rígido: 20EUR Cachimbos de microfone: 2EUR cada Amplificador Baixo Warwick ProTube 4 Híbrido: 250EUR Com a hard case + 40EUR Hybrid Bass head. Power 400W / 4Ohm min. Tubes: EL84 and 12AX7. Channel 1 - Tube Drive channel:Contour, Low, Mid nad Hi filters, crunch and Tone pots and 2nd Stage option. Channel 2: clean Channel: 8 band graphic EQ,Hi Boost and Lo boost filters. Phones output. DI outputs. Effects Loop. Hard case plástico rígido 4 unidades: 50EUR Prato Ride Zildjan 20" Avedis: 150EUR In ears M6 Pro Noise isolating da MEE audio: 30EUR Adequados para palco ou apenas ouvir música com várias pontas NOVAS em silicone e espuma expansível. Pick up contrabaixo Shadow SH 951: 45EUR Guitarra electrica DeArmond vermelha: 50EUR

Mesa de Som Alto S-6 Em excelente estado Entrego em mão na zona do Porto e Vila Real Caracteristicas: Balanced inputs for clean, hum - free performance Extremely low noise preamps 48 Volt Phantom Power High headroom for wide dynamic range 2 - Track inputs assignable to main mix, control room & headphone outputs Sealed potentiometers Built - in power transformer (Except S-6) Inserts on mic channels 2 mono inputs with gold plated XLR and balanced TRS jack TRIM and +48V Phantom Power for mono inputs 2 stereo inputs with balanced TRS jack Peak LED in each channel Very effective 3 - band EQ 1 POSTFADER AUX send for effects and send can be changed in PRE - FADER for monitoring Stereo AUX return with level 2 - track IN / OUT with discrete switches for routing to Control Room and / or to Main Mix Discrete output level for Phones / Control Room Balanced TRS jack output Dimensions (WxDxH): 171 x 224 x 34 / 40mm (6.7" x 8.8" x 1.3/1.6") Weight: 1.3kg (2.9 lb)

Processador de Efeitos Behringer DSP2024P Virtualizer Pro The VIRTUALIZER PRO DSP2024P adds spice to any performance, thanks to 71 available effects algorithms. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and our renowned wave-adaptive VIRTUAL ROOM reverb algorithms. With up to seven (7) adjustable parameters, 11 serial/parallel effects combinations and its user-friendly interface, we feel the DSP2024P is the best VIRTUALIZER PRO weve ever built!

Ken Smith Burner 4 Garantia de 2 anos Vai com setup feito, cordas novas. Braço muito macio Sou Luthier de guitarras com muitos anos de experiência A pre-owned 1992 bass in good condition with some marks in the finish and general player wear. The frets are in great condition and the action is low and fast. Made from solid quilted maple three piece body and maple three piece neck with morado fingerboard, 2 band Smith eq (bass/treble) and active/passive switching and comes with an SKB case and is strung with Elixir strings. Weight 7lb 6oz/3.4kg

Amplificador de Baixo Hartke A100 Bass Combo The A100 is a powerful combo amplifier that includes a matched 8 ohm aluminum bass speaker in a specially designed cabinet, which can be used in a typical flat floor position or in its special "kickback" position for increased high end clarity and sound dispersion. A-Series Combo Amp! Great for practice, rehearsals, or performances in small venues, the Hartke A100 features a 100-watt amp and a 15" aluminum driver. The A100 features low, mid, high, and bright tone controls, a CD input, XLR balanced ouputs, an effects loop, a headphone jack, and chrome hardware. The A100 also delivers a 7-band graphic EQ for finer tone control.

Para venda mesa de mistura usada em pleno funcionamento. Sem caixa original Especificações: The Alesis MultiMix 8 FireWire mixer features the best of both the analog and digital worlds. Delivering multichannel audio recording to your Mac or PC through the integrated FireWire audio interface, the MultiMix 8 FireWire mixer represents the cutting edge of recording technology. Intuitive analog mixing capability and ultimate computer connectivity highlight that this mixer is an essential part of any studio or mobile recording project. FEATURES 8channel mixer featuring nextgeneration DICE II FireWire technology, lownoise analog electronics, 100 studiograde 28bit digital effects, and rocksolid construction Compact, affordable 8channel analog mixer and multichannel FireWire audio computer interface 10 direct outputs for recording and 2 return inputs for monitoring 4 highgain mic/line (XLR and 1/4 balanced) inputs with phantom power, 2 stereo balanced 1/4 line inputs, aux send (can send to onboard or external effects), stereo aux return Switchable 75Hz high pass filters 100 28bit onboard preset effects including reverbs, delays, chorus, flanging, pitch and multieffects 3band EQ per channel with high/low shelving and mid band pass/reject Separate 1/4 balanced main and monitor outs, headphone out 24bit, 44.1/48 kHz operation with highend A/D and D/A conversion through integrated FireWire audio interface using nextgeneration Dice II FireWire chip Mac OS X, Windows XP or Vista compatible

Vende-se: Marshall DSL1HR Especificações: - All-Tube Amp Head for Electric Guitar - Reissue series - authentic DSL sound - Power: Low power circuit from 1 W to 0.1 WM - 2 Footswitchable channels with classic Gain and Ultra Gain - Tube assembly: 1 x ECC82 and 2 x ECC83 - Tone Shift key for Mid configuration - EQ controls for Treble, Mid and Bass - Emulated Line Output - Series FX loop - Includes footswitch Notas: - Estado de conservação: Novo/Imaculado - Ideal para tocar em casa - Pode experimentar o amplificador Motivo de Venda: Nunca foi usado, uso outro setup Preço: €300 - Negociáveis Notas: Só vendo não troco. PS: Apenas entregas em Lisboa, em mão, zona Penha de França.