Control foot switch expression pedal

Vendo: Guitarra marca Slammer by Hammer com saco de transporte (o saco era de outra guitarra pelo que está bastante usado) e stand para a guitarra. Amplificador Rocktron modelo Rampage r80 com cabo power e cabo de guitarra. Os 80 Watts do amplificador não são rma ou digitais são estrondosamente analógicos. Fez uma revisão em Setembro.. "Features Rocktron's patented AGX technology which produces ultimate tone and distortion control with the quietest operation. It can contour the sound to deliver the crisp, shimmering clean tones that were a staple of '80s rock, all the way up to the heavy, saturated tones of '90s mega metal. Whatever "your sound" is, this amp will get it. Features 80W output to a 12" heavy-duty speaker, foot switchable reverb with front panel control, active/passive inputs, 2 channel operation (clean and distortion), foot switchable and front panel channel selection, 3-band EQ with mid scoop switch, effects send and return jacks, line outs, dual preamp outputs, and headphone outs. Open back cab with durable covering and protective corners." Pedal de distorção da Marshal modelo Drive Master todo em ferro esmaltado com transformador (pode-se colocar uma pilha de 9V para mobilidade), com cabo para ligar a outro pedal ou ao amplificador. No estado em que se encontra é muito dificil arranjar um. "Fire your cartage company. You don't need a rack full of gear to get distortion that goes from subtle to stun gun. If you want all the range of a top studio pro, the Drive Master is for you." Mala pedaleira custom made, para transportar pedais e para colocar os mesmos já montados e ligados no chão. A mala abre-se e tem na parte baixa borrachas anti-deslizantes, os pedais fixam-se por velcro que faz parte da mala. Entrego em mão na zona do Porto. O valor é pouco negociável. Pretendo vender o conjunto.

"BAND CREATOR"... a TUA BANDA automaticamente!!!! Gera automaticamente... ACOMPANHAMENTOS de BAIXO e/ou BATERIA que o TRIO aprende com a progressão de acordes e ritmo/dinâmica da tua guitarra (em diversos géneros e estilos); criando bases cíclicas sem limite de faixas de ritmo e solos, para jamming, treinar, desbundar ou para compores e gravares as tuas canções... NOVO, ainda sem REGISTO para beneficiar de 4 ANOS de GARANTIA. TAMBÉM serve de PEDAL DE OVERDRIVE/DISTORÇÃO com diferentes estilos consoante os géneros seleccionados SIMPLESMENTE ESPECTACULAR Backing Band Stomp Box Backing band within a stomp box Generates bass and drum accompaniment based on your own guitar play 7 Music genres and 12 song styles selectable per genre Upload up to 3 different song sections and ready for replay any time Adjustable tempo and timing (half time/ double time) Independent adjustmenable volume of bass and drum accompaniment Switches from song sections and styles using the foot via optional DigiTech FS3X footswitch (not included) Metal housing and footswitch True bypass Input jacks: 6.3mm mono (instrument), 6.3 mm footswitch (matching footswitch: not included) Output jacks: 6.3mm mono (amplifier), 6.3 mm mono (mixer), 3.5 mm stereo with volume control (headphones) Mini USB port for firmware updates Battery operation not possible Dimensions (L x W x H): 137.2 x 82.6 x 63.5 mm Weight: 500 g Incl. Digitech 9 V DC power supply 4 New features with new software update: Style preselection function 3 Modes for using the optional DigiTech FX3X footswitch 2 Different tempo interpretations with the ALT TIME switch Simple Bass mode Em estado rigorosamente NOVO, como na LOJA, ainda sem REGISTO para beneficiar de 4 ANOS de GARANTIA. SIMPLESMENTE ESPECTACULAR

Roland GR-55 com pickup GK-3 910 different, editable Roland synthesizer sounds of the newest generation Piano Strings Wind instrument Soundscapes Vintage-Synths etc. Up to two sounds can be selected and combined Complete modelling sound chain (guitar/bass/synth/effects/amps) from the VG-99 including virtual tuning pickup can be fed into the modelling chain Two synth sounds can be combined with the modelling sounds - synth sounds can be fed into the modellin chain (e.g. blues-harp into distorted amp) 270 Preset-Sounds sorted by "lead", "rhythm" and "others" 297 programs for custom sounds USB slot for connection of a USB-Memory device Playback of audio files via foot switch Control foot-Switch and expression pedal (assignable to a multitude of functions) 20-Second-Loop with an endless amount of overdubs The GR-55 provides a USB-Interface for audio and MIDI, plus conventional MIDI-In/Out sockets Includes power adapter, GK-3 pickup and 5m GK cable Dimensions (W x H x D): 405 x 78-106 x 244 mm Weight: 3.3 kg

Processador para Guitarra e Baixo Elétricos; - Next generation dual DSP based HX Modeling Engine with 4 discreet stereo-signal paths - 50 Guitar amp models, 12 bass amp models, 37 speakers, 16 microphones and 104 effects - Imported IRs (impulse responses) with up to 1024 / 2048 samples - 12 Pressure sensitive foot switches for editing - The Hands Free Pedal Edit mode sets the effects parameters onto the switch and expression pedal - Near-Instant foot switch and controller assignment - Up to 3 expression pedals - CV/Expression output - Amplifier switching output and extensive MIDI control - Extensive inputs and outputs for the seamless integration of entire rigs - 10 Inputs, 12 outputs (including four FX loops) - 8 In / 8 Out USB audio interface - AES / EBU, SPDIF and VDI interfaces - 123 dB Dynamic range on the guitar input for enormous depth and low noise - Robust construction - Dimensions (W x D x H): 55.8 x 30 x 8.5 cm - Weight: 6.6 kg

Fácil de descrever: Como novo. The Electro-Harmonix Memory Boy is a smooth analog delay that takes its heritage from the 1970s Memory Man and the legendary Deluxe Memory Man. The Memory Boy uses the Deluxe Memory Man as a base, expanding upon it with additional modulation features and an optional expression pedal input for external control over delay time or modulation rate. Memory Boy features a 550ms delay time, allowing you to explore limitless textures. A three-way toggle switch lets you add in vibrato or chorus, or control the delay time with an external expression pedal. Since the early 1970's, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by iconic musicians throughout the world. From the original Memory Man guitar pedal to the Deluxe Memory Man, still available today, EHX delay pedals are desired instruments for the organic tones that deliver textures that define quality. FEATURES All analog delay with Feedback Up to 550ms delay time Selectable Chorus or Vibrato modulations rates Choose between triangle or square modulation waveforms Expression pedal control of delay time or modulation rate (expression pedal extends the range of modulation rate) True Bypass

De construção robusta, foi desenhada para competir com a DigiTech e BOSS. *Available Inputs 1/4 Inch Jack Insert in MIDI Stereo Aux *Available Outputs 1/4 Inch Jack MIDI out S/PDIF digital out *Available Sounds Effects: 11 amp types / 11 cabinet types / 11 each of pedal modulation / delay and reverb effects / noise reduction. Seven effects can be used simulataneously. Patches: 48 preset / 48 user patches / arranged in several banks. *Battery/Adaptor Type AC Adaptor *Editable Patches Yes *Effect Types Chorus Compressor Delay Detune Flanger Modulation Noise reduction Octave Panner Phaser Pitchshifter Reverb stereo Chorus Tremolo Wah *Foot Pedals Expression Pedals *No of Amp Models 11 *No of Cab Models 16 *No of Effects 33 *No of Patches 96 *Presets 48 *Unique Features Wide range of amp and speaker models / stompbox effects and stereo effects / assignable expression pedal and control switch / step sequencer. *Unit Power Source 9V DC Adaptor Ao alcance de um “click”. Para a ver em acção, na pagina do you tube procura: v=lwKR2CxhAQk ou v=1oPjpVmgQiY Entrega na zona de Almada (forum) e ao fim de semana em Lisboa (a combinar); envio à cobrança a combinar. Mais um verdadeiro achado. Interessados ja sabem: Contactar anunciante possíveis trocas por material: fender, gibson,ibanez, jackson, esp, schecter, prs, music man, epiphone, boss, telecaster, sratocaster, les paul, sg, martin, taylor, dunlop, marshall, engl, randall, orange, yamaha, com acerto. Vejam o restante material disponível. P003

• System: AI2 Synthesis • Tone Generator: 32 voices, 32 oscillators (single mode) 16 voices, 32 oscillators (double mode) • Keyboard: Velocity sensitive, 61 notes • Waveform Memory: 12 megabyte PCM ROM • Effects: 2 stereo digital multi-effect systems, 47 effects • Modes: Arrangement Play, Backing Sequence, Song Play, Song Edit, Program, Disk/Global • Programs: 320 programs (included GM souds) + 14 drum kits in ROM, 64 user programs + 2 user drum kits in RAM • Styles: 128 styles stored in ROM, 16 styles stores in RAM • Arrangement: 128 stored in ROM, 64 stored in RAM • Backing Sequences: 10 stored in RAM, 40,000 events • Song Play: Direct to Disk, 16 tracks, 16 timbres, format 0 and 1, GM compatible, Lyrics function • Controls: Joystick • Control Inputs: Assignable pedal/switch • Outputs: Left/Mono, Right, Headphones • MIDI: In, Out • Floppy Disk Drive: 3.5 inch 2DD/2HD • Display: Large LCD custom display • Loudspeakers: 2 speakers in Bass Reflex Box, 2 x 8 W • Power Supply: AC voltage • Power Consumption: 55 W • Incluído AC cord, accessory disk, music stand • Dimensões (B x T x H): 1.110 x 386 x 142 mm • Peso: 11,5 kg • Optionales (não incluído): DS-1 Damper Pedal, PS-1 Pedal Switch, EXP-2 Expression Pedal

Laney Cub 12R Amplificador de guitarra com Válvulas All-tube amplifier Power: 15 W 1 x 12" HH Speaker 2 x EL84 and 3 x ECC83 tubes, Class A/B Controls for gain, treble, middle, bass, volume and tone Reverb foot switch (optional foot switch FS-1 not included) Serial effects loop External speaker output 8 - 16 Ohm sem trocas por Gibson, Prs, Boss, Wampler, EHX, Ibanez, Squier, Epiphone, Fulltone, Joyo. Valeton, Nux, Fender, Vox, Blackstar. Marshall, Otto, Korg, Engl, Line6, Orange, ESP, Electro-Harmonix, Friedman, Gretsch, Godin, M-audio, Roland, Sonor, Shure, Taylor, Zoom, Takamine, One Control, Pedal, Stratocaster, Telecaster, Les Paul, Chorus, Reverb, Distortion, Ltd, Overdrive Folding stand for tilt Dimensions (W x H x D): 427 x 435 x 235 mm Laney Cub 12R Amplificador Valvulado Novo

32 Amp models from POD 2.0 with Drive, Bass, Mid, Treble, and Channel Volume control 16 modulation effects, including chorus, flanger, and tremolo, plus 6 delay models (dedicated and separate from the modulation effects) 128 Presets 7 footswitches with 1 Volume/Wah Pedal and Tap Tempo / Tuner footswitch Inputs/Outputs include a 1/4-Inch Input, 2 unbalanced 1/4-Inch Outputs, 1/4-Inch Headphone jack and 1/8-Inch CD/Mp3 input Line 6's POD was a revolution when it came to multiFX, so it's no surprise it became so successful. The downside was you needed to buy a separate foot controller if you needed to change patches on-the-fly. So, it made complete sense for the manufacturer to bring out a floorboard version. Being one of the company's early forays into footboard territory, it wasn't without its drawbacks. As a result, a new improved version was released with the 'Plus' suffix. How did it fare compared to its predecessor? Read on to find out... LINE 6 QUALITY AMP MODELING The Floor Pod Plus retains all the simplicity of operation that its predecessor enjoyed, it just has many more modelers and effects, including more amps and Line 6's well-regarded Tone Core range of pedals. It looks much better too coming in a more stylish and sturdier frame. Even the expression pedal appears better built than the original. A GREAT MULTIFX UNIT AT A GREAT PRICE ============================== E.... em estado rigorosamente NOVO !! ==============================

Yamanha QX 21 Gravador de Sequência Digital. Japão - 1980 Série N 14884 Peso 5 Kg Estado Bom Com Cabo de Alimentação. Sequenciador Yamaha QX21 importado do Japão. Capacidade de 8100 notas (valor aproximado, sem parâmetro 'velocity' indicado); Tempo Control via dia de 40 a 250 bpm; Conexões MIDI in-out-thru; Entrada para pedal 'foot switch'; 2 recording tracks; 16 MIDI channels; tape interface; 1/4 - 1/64 notes with 1/8, 1/16 and 1/32 triplet.

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson

Vendo controlador MIDI USB Pode ser usado no chão para controlar com o pé (foot midi controller) ou com a mão como um controlador de midi normal. Plug and play, não necessita de drivers, funciona em Win e OSX Estado novo, motivo da venda, comprei dois e acabei por só precisar de um. Não inclui cabo USB Pode-se adicionar pedal de expressão para controlar por midi. Funciona em programas DAW (cubase, ableton live, reaper, logic) e ideal para controlar VST's tipo guitarRig, amplitube etc. caso tenha alguma questão posso dar mais informações, sobre configurações etc. envio pelo correio ou entrego na zona de coimbra Portes pagos pelo comprador (os portes não são negociáveis) 4 Button USB MIDI Footswitch MIDI Foot Controller with external pedal input Descrição do fabricante: Plug and play, no driver or installation needed. Just plug it into a free USB slot and your OS will recognize it. Choose USB Midi device in your software settings and you're ready to go. Two controller mode: Mode 1: Changing whole presets. The controller sends program change messages. The LEDs indicates which preset is working. Mode 2: To activate this mode, press buttons 2&3&4. To change back to mode 1, press buttons 1&2&3 (All LEDs will blink for half a second to indicate this). In mode 2 the controller sends control change messages. It allows you turn functions/effects on and off individually. The LEDs indicate the state. In mode 2, press a button for 10 seconds to switch to momentary mode. (All LEDs will blink for half a second to indicate this). It allows you to use non-on/off functions like 'previous/next preset', 'tape deck play' etc. The LEDs do not light up in momentary mode since it's unnecessary. Now you can use all the functions of your software. External pedal input. You can connect any standard pedal with a 6.3mm (¼ inch) stereo jack (TRS). If you can't use the full range of the pedal you may have to calibrate it. Calibration: Step 1:turn the pedal to minimum position and press button 1 AND button 3. (All LEDs will blink for half a second to indicate this). Step 2:turn the pedal to maximum position and press button 1 AND button 4. (All LEDs will blink for half a second to indicate this) The device will save the calibration data so you only have to do it once. This is a USB MIDI controller so works with PC/Mac/iPad/iphone ONLY. Highly durable plastic case and buttons, recommended for room practice. For on-stage use i recommend the metal versions. Dimensions:300x90mm Weight:0,3Kg USB cable not included.

- Pedal praticamente novo, usado apenas em casa poucas vezes. - Caixa original. - Transformador pedal supply original de fábrica NUNCA USADO. - Adesivo de proteção da parte de baixo NUNCA USADOS. - Cabo de dados para conexão com computador ou smartphone para uso do app Tc electronic tone print NUNCA USADO. Entrego em mãos na zona de Lisboa. Description: 3 Pressure-sensitive foot switches New algorithms and 6 presets 10 Delay types plus 6 TonePrint slots that let you save effects and artist TonePrints MASH footswitches provide you with powerful, real-time, effect-specific parameter control Analogue dry-through preserves the integrity of the analogue dry signal path when the delay function is activated Edit delays and the MASH function with the free TonePrint app 40 Seconds Looper Controls: Delay Type, Subdivision, Delay, Feedback, Level Switch: Bank 1-2 / Store; LED: A, B, C, D, Mash Footswitch: Effect Bypass Connections: Input Mono / Stereo (2 x 6.3 mm jack), Output Mono / Stereo (2 x 6.3 mm jack), EXP Pedal (6.3 mm stereo jack), MIDI In & THRU Mains adapter connection: coaxial connector 5.5 x 2.1 mm, negative polarity inside Current consumption: 300 mA Powered by a 9V DC power adapter (included) No battery operation Dimensions (W x D x H): 235 x 145 x 57 mm