Case pedais rc

Vendo case para pedais da Rockcase, está como nova. Tem capacidade 6 ou mais dependendo do tamanho do pedal. https://www.thomann.de/pt/rockcase_rc_23000sa_effect_pedal_case.htm Fender boss harley benton gator

Vendo vrios pedais de efeitos para guitarra. Os pedais incluem a caixa original. No estou interessado em trocas. Pedais disponveis: Korg ToneWorks 301dl - 60EUR Seymour Duncan Lava Box - 60EUR Marshall EH-1 Echohead - 70EUR Case para pedais Warwick RC23120B com alimentao para os pedais, inclui cabos - 80EUR Entrego em mo na zona de Lisboa, Almada e arredores.

Vendo vários pedais de efeitos para guitarra. Os pedais incluem a caixa original. Não estou interessado em trocas. Pedais disponíveis: Korg ToneWorks 301dl - 120EUR Seymour Duncan Pickup Booster - 85EUR Seymour Duncan Tweak Fuzz - 100EUR Seymour Duncan Lava Box - 90EUR Dunlop UV1SC Uni-Vibe - 120EUR Marshall EH-1 Echohead - 100EUR Carl Martin Boost Kick - 100EUR - sem caixa Case para pedais Warwick RC23120B - 150EUR Entrego em mão na zona de Lisboa, Almada e arredores.

Vendo vários pedais de guitarra todos em boas condições, alguns praticamente novos, vendo tudo junto ou separado, quem comprar todos faço um desconto. Não aceito trocas. Electro Harmonix-160 euros. MXR Chorus-70 Euros. Loopstation RC 30- 175 Euros. Noise Supressor-60 Euros. Skreddy Echo-240 Euros Ibanez Delay lll-50 Euros. Fender Chorus- 50 Euros.

Vendo vários pedais de guitarra todos em boas condições, alguns praticamente novos, vendo tudo junto ou separado, quem comprar todos faço um desconto. Não aceito trocas. Electro Harmonix-160 euros. Loopstation RC 30- 175 Euros. Noise Supressor-60 Euros. Skreddy Echo-240 Euros Ibanez Delay lll-50 Euros. Fender Chorus- 50 Euros. BOSS AW-3 - 80 Euros.

Vendo um conjunto de pedais e uma pedalboard/case que não estou a utilizar, que estão em óptimas condições e perfeitamente funcionais. - Marshall BluesBreaker (clone) - 40 euros - MXR Distortion III - 60 euros - Ibanez TS5 (retrofit pela MVO Custom Shop) - 40 euros - pedalboard Stagg UPC 688 (modificada) - 40 euros Todos os pedais exibidos e não mencionados não estão à venda ou foram vendidos. Não estou interessado em trocas. Envio mais fotos a pedido. Formas de pagamento: - Entrego em mão no Porto, sem custos adicionais! OU - envio para todo o País, por Transferência Bancária e posterior envio em Correio Registado Nacional pelos CTT, entregue em mão, ou por transportadora. OU - Envio para todo o País, à cobrança. Não pago portes de envio. Grato pela atenção

Vendo um conjunto de pedais e uma pedalboard/case que não estou a utilizar, que estão em óptimas condições e perfeitamente funcionais. - Marshall BluesBreaker (clone) - 40 euros - MXR Distortion III - 60 euros Todos os pedais exibidos e não mencionados não estão à venda ou foram vendidos. Não estou interessado em trocas. Envio mais fotos a pedido. Formas de pagamento: - Entrego em mão no Porto, sem custos adicionais! OU - envio para todo o País, por Transferência Bancária e posterior envio em Correio Registado Nacional pelos CTT, entregue em mão, ou por transportadora. OU - Envio para todo o País, à cobrança. Não pago portes de envio. Grato pela atenção

Vendo case que servia de arrumação de 2 scanners Dmx led. Não aceito trocas. Medidas internas: 55x45,5x18cm. Serve para arrumar cabos, pedais, mesa de mistura,etc. Entrega em mãos na zona de Braga.

Vendo os seguintes artigos: - Boss GT6b com soft case - 150€ O equipamento tem normais marcas de uso, mas sempre utilizado com cuidado e bastante estimado. Dispensa apresentações, tem todas as ferramentas que um baixista necessita - Tc electronic Dark Matter - 40€ O pedal está novo. Excelente distorção para guitarra e Baixo, onde utilizo este pedal. Grande Som mesmo, super dinâmico. -Tc electronic MojoMojo - 40€ Aquele tipo de pedal que todos os guitarristas devem ter no seu pedalboard. Muito quente e dinâmico - Boss AW-3 - 100€ Auto Wah para baixo e Guitarra.

Pedais Behringer Noise Reducer NR100 -20€ Distortion Modeler DM100 - 20€ Case Ibanez para 3 pedais Behringer/Boss/Ibanez - 40€ Guitarra Semi-acústica Takamine G Series - 250€

Pedais: Marshall RG1 Regenerator Modulation (Como Novo) 65 eur Boss OS-2 Overdrive+Distroção (2 em 1) 70eur Digitech Trio (NOVO) 135 eur SP400 SUPER PHASER (Raro)(Novo) 40eur US600 Ultra Pitchshifter (Novo) 45 eur FL600 FLANGER (Raro) (Novo) 40 eur Vendido - SO400 - Super Octaver pedal (Novo) 45eur Nota: Os pedais da Behringer são da ultima geração! ou seja a qualidade de som está a anos luz com dos modelos das gerações anteriores) - Pedalboards: Behringer PB1000 (até 12 pedais) 100eur (como novo) (vem com transformador + cabo em cadeia para alimentar os vários pedais, incorporado na pedalboard) Rockcase Warwick: Pedalboard / Hardcase / Case para pedais - 82cm x 53cm x 19cm 85eur Diago Tourman pedalboard (bom estado) 1020 x 450 x 100 mm 100eur Monitores/colunas: 2 Colunas Alessis Activas (Raro) (Como Novas) 310eur

Caixa para pedais com fonte de alimentação e cabos, ideal manter os pedais organizados, para guardar e transportar os pedais. Tem algumas marcas de uso devido à utilização, como podem ver nas fotos, mas a nível de funcionamento não há nada a apontar. Entrego em mão na zona Oeste (Caldas da Rainha e Peniche)

Estojo profissional (hardcase / flight case) para transporte e proteo de amplificador do tipo cabea. Originalmente era de uma Mesa Boogie Triple Rectifier. Estou a vender por cerca de metade do preo. Poderei aceitar troca, de valor igual, inferior ou superior, desde que o material tenha interesse para mim. Para facilitar o negcio posso aceitar trocas com material para guitarra (por ex. pedais) Dimenses: tem 23cm de altura, que podem tvz ir a ~24cm de altura mximo. 26cm de profundidade. 66cm de largura. Possvel entregar em mo sem custos em ponto a combinar nas zonas de Aveiro, Anadia, gueda, Albergaria. Outras TROCAS possveis - pedal compressor, por exemplo MXR Mini Dyna Comp, Custom Shop Script Dyna Comp, Pigtronix Philosopher's Tone. Ou pedal de overdrive ou distoro, por exemplo Rockbox Boiling Point, Tubescreamer, Crunch Box, ou vibrato, por exemplo Boss VB-2, ou Marshall PEDL-91016 / Marshall PEDL-91005 Footswitch Tambm posso aceitar trocas, por material informtico (discos 8TB ou superior).

Pedalcase Rockcase. Esmerada e sempre muito estimada. A melhor do mercado e nada menos do que isso. Estado óptimo. Com marcas de uso normais. Absolutamente nenhum defeito. Interior perfeito. Limpa, sem nódoas, nem cheiros desagradáveis. Vendo por não precisar de case tão profissional. Serve para transporte de qualquer outro equipamento para além de pedais, evidentemente. Medidas interiores 77.5 x 47.5 x 11.5 cm Equivalente à RC 23020SA (171€). Materiais seleccionados para proporcionar maior leveza.

Teclado Sintetizador KORG Z1 61 teclas KORG Z1 sintetizador EX 18 Voices Multi Oscillator Synthesizer Moss Z1E ENTREGA EM MÃO CONTRA PAGAMENTO. No meu estúdio zona de Carcavelos Lisboa. Em alternativa pode ser em Mafra no estúdio de um colega. Um grande Sintetizador e um Clássico. GRANDE GRANDE SOM. Óptimo Estado e a Funcionar 100%. TECLADO 61 teclas de velocidade com aftertouch. O painel principal possui uma tela com resolução 240 x 60, botão 62 e 25 botões. No lado esquerdo, 2 rodas para modulação e pitchbender, um touchpad no eixo X-Y e 4 botões de desempenho dedicados. Conectores terminais do painel traseiro: - saída do sinal principal - Interface Midi - Slot para cartão PCMCIA (modo ATA linear) - entrada para pedais de volume - entrada dos pedais do amortecedor - 2 entradas de pedais comutáveis. KEYBOARD 61 velocity keys with aftertouch. Main panel features a display at 240 x 60 resolution, 62 button and 25 knobs. On the left side 2 wheels for modulation and pitchbender, an X-Y axis touchpad and 4 dedicated performances buttons. Back panel terminal connectors: - main signal out - Midi interface - PCMCIA card slot (ATA linear mode) - volume pedalswitch input - damper pedalswitch input - 2 assignable pedalswitch inputs. Manual em: https://cdn.korg.com/us/support/download/files/2a936aac807c6cdd2b7d2d7b45ab80aa.pdf?response-content-disxposition=inline;filename*=UTF-8''Z1_OM_E3.pdf&response-content-type=application/pdf; Z1 Multi Oscillator Synthesizer is a "next generation" DSP synthesizer, with advanced synthesis techniques that provide realism, limitless creativity and expressiveness at an unsurpassed level. The new Z1 sets the standard for DSP synthesis Previous DSP synthesizers may have gained a reputation for a single type of sound modeling, but the Z1, using Korg's advanced MOSS (Multi-Oscillator Synthesis System) technology, provides an awesome array of high-quality algorithms that cover the fullest range of sounds, from imitative to imaginative. Standard polyphony is 12 voices, and an optional board will expand the Z1’s polyphony to a whopping 18 voices! MOSS (Multi-Oscillator Synthesis System) tone generation: the result of years of research and development The oscillator algorithms of the Z1’s MOSS tone generator are direct descendants of Korg’s now legendary OASys (Open Architecture Synthesis System) development platform. It’s the result of years of development of detailed models and a toolkit approach to synthesis voice design, and it gives the Z1 unsurpassed sonic power. Thirteen oscillator types for the widest range of sounds The Z1 features a broad range of oscillator algorithms: Standard, Noise, Comb Filter, VPM, Ring Modulation, Cross Modulation, Oscillator Sync and Resonance provide exciting ways of creating synthetic sounds. The Organ, Electric Piano, Bowing, Brass, Reed and Plucked String Models emulate those types of musical instruments with a greater degree of realism and expression than PCM-based instruments can ever provide. This algorithmic diversity gives you a range of sounds that far exceeds other DSP synthesizers. Since up to two of these 13 oscillators can be combined – along with a Sub-oscillator and a Noise Generator – you can also create unique, hybrid sounds with "organic" qualities that can be molded in ways that are impossible with any traditional acoustic instrument! A powerful voice The dual multi-mode filters feature resonance, low-pass, high-pass and a new band-pass mode that allows four center frequency points to be set simultaneously. This lets you create complex tonalities like those found in the human voice and the body resonances of a violin or guitar. Dedicated parameter knobs for filter cutoff, resonance, EG intensity and both filter and amp EG are located at the left side of the front panel. They let you control sound in realtime – just as on an analog synthesizer. Four LFO’s (which can sync to MIDI clock!) plus polyphonic portamento allow for unique synth effects. Plenty of memory The Z1 features 256 Programs, and additional Programs can be stored on a PCMCIA Flash memory card. Thirty-two Multi Set-ups are also available, each combining up to six timbres for split or layered sounds and multi-timbral playback. Realtime controllers/knobs The Z1 provides all of the traditional controllers like Pitch Bend and Modulation wheels, plus inputs for up to four foot pedals. It also includes dedicated controllers like eight Filter control knobs and four Amp. control knobs, as well as switches for Hold, Modulation and polyphonic Portamento. To take advantage of the Z1’s rich modulation power there are five Performance Editor (PE) knobs which are assignable to numerous parameter modulations with each knob able to control up to four parameters at the same time. Finally, the Z1 premieres Korg’s exclusive X/Y Pad which offers the musician ultimate expressive control. It is a four axis "grid" that lets you blend in controller amounts in real time. High-quality stereo digital multi-effects The Z1’s effects section features superb, digital multi-effects with 15 high-quality insertion effects such as multi-tap delay, overdrive, wah, phaser, flanger, chorus and rotary speaker, plus three stereo master effects: two reverbs and stereo delay. All of these effects include realtime modulation capabilities for maximum expressive control. Finally, 2-band EQ is available per Program to help you shape your final sound as desired. Polyphonic arpeggiator The Z1 includes a unique polyphonic arpeggiator which enables easy performance of complex patterns. In addition to the five preset patterns (Up, Down, Random, ALT1 and ALT2), 15 user-programmable arpeggio patterns can be stored in internal memory. Arpeggio performance data can also be transmitted via MIDI to external sound sources, and the Z1’s arpeggiator syncs to incoming MIDI clock. Dedicated Gate, Velocity, Resolution and Speed knobs provide excellent realtime control. Expansion possibilities Twelve-voice polyphony in a DSP-based synthesizer is pretty awesome. But Korg makes available an optional expansion board that will crank simultaneous polyphony up to an even more amazing 18-voices! An optional ADAT® optical digital interface board is also available. With the ADAT® I/F you get single-cable connectivity with any device that has an ADAT® interface. Effects List INSERT EFFECTS SIZE 1 (two effects can be used simultaneously) Overdrive, Compressor, Parametric EQ, Wah, Exciter, Decimator, Chorus, Flanger, Phaser, Rotary Speaker, Delay (Mono) SIZE 2 (single effect can be used) Talking Modulator, Multi-tap Delay, Ensemble, Rotary Speaker (L) MASTER EFFECTS Stereo Delay, Reverb (Hall), Reverb (Room) Z1 Algorithm Descriptions The Z1 offers thirteen synthesis algorithms, many of which can be combined together to create an unprecedented range of sound possibilities. Standard The classic analog synth model, with choice of Saw or Pulse waveforms, plus the addition of a Ramp Wave (Triangle or Sine). You can also modulate the waveform for classic effects such as Pulse Width Modulation, or new timbral variations from the Saw and Ramp waves. Korg’s exclusive Wave Shaping is also available to add more complex harmonic characteristics to your sound. Comb Filter This oscillator setting combines the input from another oscillator, the SubOSC, or the Filter along with the Noise Generator and passes them through a complex Comb Filter, with feedback control. It produces spectrum-type sounds, special effects and unique sounds with rich harmonic content. PM (Variable Phase Modulation) Using the classic Carrier and Modulator design, this algorithm gives you the ability to modulate the Phase of a given waveform, along with Wave Shaping and Feedback controls. Waveform choices for the Carrier and Modulator include sine, sawtooth, triangle or square, and you can even choose to use another oscillator algorithm as the modulator for incredibly complex new timbres.. This oscillator type is also great for FM emulation. Ring Modulation Another classic analog concept updated for the digital age. Four waveform choices are available for the carrier wave: sawtooth, triangle, sine and square. Produces a rich metallic or clangorous sound. Cross Modulation Similar to Ring Modulation with the addition of frequency modulation applied to the Carrier waveform. Oscillator Sync Yet another classic analog synth effect, where a "slave" oscillator is synchronized to the wave cycle of a "master" oscillator. The tuning of the slave will emphasize the upper harmonics of the master oscillator, and when swept by a modulator produces rich timbral changes in the harmonic spectrum. Resonance A new algorithm designed exclusively for the Z1, with four resonant band-pass filters arranged in series which can be "tuned" to different frequencies. When an oscillator, noise, or filter output is sent through this filter bank you can produce very ethereal and complex tonalities. Organ Model Another new algorithm which provides three tunable organ drawbars along with variable percussion. Using two oscillators you can produce strikingly realistic organ timbres, or use this additive approach for new, imaginative synthesis possibilities. Electric Piano Model Another new algorithm which gives you control over the Tone Generator (including decay and overtones), the Hammer (force, velocity, click and width) and the pickup xposition. Great for emulating classic types of electric pianos and for creating new organic-sounding piano timbres. Brass Model A complex recreation of the characteristics of brass wind instruments, with control over Bell, Air Pressure, Lip and numerous other parameters. Because this is Physical Modeling, and not just a sample, you have true expressive control over the sound. Reed Model This model covers the woodwind range of instruments, with control over Lip Pressure, Air Pressure, Tone, Growl, and many other parameters. Covers the gamut from flutes, to saxes, to new unique wind-based sounds. Plucked String Model A complex plucked model with control over Attack, Dispersion, Harmonics, String Position and many detailed characteristics. Great for everything from basses to guitars, to harps to many interesting synth sounds. Bowing String Model This new model emulates the characteristic of scraping a bow across a string. Rich in attack harmonics, this gives you true control over the bowing of a sound source as opposed to the "static" nature of a sample. Architecture Type: Digital Synthesis: Phase Distorion, Physical modelling, Subtractive, Virtual Analog Oscillators Oscillators: 2 Waveforms: ROM, White Noise Osc Modulation: After Touch, Envelope, Glide / Portamento, Input, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Ribbon, Ring Modulation, Sync Hard, Velocity Oscillator Notes: 2 Oscillators available for 13 types of models: Analog, Brass,electric Piano, Organ, Reed, Plucked String 1 Sub Oscillator 1 Noise Generator Envelopes Envelopes: 5 Evelope Paramerters: Initional Level, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4 Envelope Notes:: 1 X EG AMPLIFIER 4 segments 3 levels 4 X assignable EGs: 4 segments 5 levels Filters Filters: 2 Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, Comb, High Pass, Low Pass, Resonance, Serial, Parallel Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel, Portamento, Ribbon, Velocity LFO LFO: 4 LFO Parameters: Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Delay, Key Sync Polyphony & Tuning Polyphony: 12 - 18 Timbrality: 6 Tuning: Standard Modes: Mono, Polyphonic Patches Patches RAM: 256 Multipatches RAM: 32 Storage: Internal, RAM Cartridge, ROM Cartridge Editing: MIDI Arpeggiator Polyphonic arpeggiator with 5 preset patterns and 15 user patterns 1- random 2- standard up 3- standard down 4- alternate mode 1 5- alternate mode 2 Features: latch, gate, velocity and special KEYSYNC Effects 2 Digital Effects Processors: overdrive, compressor, EQ, wah, exciter, decimator, chorus, flanger phaser, rotary, mono delay and talking modulator reverb, delay, and, master EQ. Sequencer None Case Case: Keyboard Keyboard: 61 keys, Non-weighted, Plastic Controls: Aftertouch, Breath, Velocity, Knobs, Mod - Ribbon, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Pedal - Patch Change, Pedal - Sustain, Pedal - Volume, Tempo Knob Display Type: LCD, LED, Backlit Display Count H: 240 Display Count V: 64 Dimensions (WxDxH): 42.9”w x 13.7”d x 4.7”h Weight: 30.6 lbs Connections Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo 2, Stereo Headphone Audio Output Count: 6 MIDI Ports: IN, OUT, THRU Power: 23w Production Year Released: 1997 Year Discontinued: 1999 Used By Gary Numan, Orbital, Jon Johnson